Albums

Chihiro Yamanaka’s second release When October Goes was released in 2002, a natural followup to her impressive debut Living Without Friday released the prior year. This second album features the pianist playing with new recording members Larry Grenadier on bass and Jeff Ballard on drums, members of the Brad Mehldau Trio who would continue to record and tour to great acclaim like Yamanaka herself. The ten tracks on When October Goes include three original songs, with the balance of the music being jazz standards and rearranged songs. ...

Live Fuse is a 2007 live album from Fuse, a modern jazz quartet headed by Toshihiko Inoue on sax, with Nobumasa Tanaka on piano, Benisuki Sakai on bass, and Tsunoken on drums. This two-disc album was recorded live in 2005 and captures provocative dynamic changes and soul-touching music swinging from tender pianissimo to fortissimo over vigorous drum beats and rhythm section riffs. The ornamental twists and organic jams aim to thrill the audience and avoid falling into ruts. While Inoue provides all the compositions, the members reinterpret and occupy the music live, mixing together and shaping the music in performance in a fusion of influence, a tightrope walk of unpredictability. ...

The piano and cello duo Arco released their second album Birth in 2019, two years after their debut Asymmetry, showing grace and refinement in a matured and eternally sunny outlook. Opening with overdubbed cello playing a classical Bach theme, the duo kicks into their otherwise all-original songs featuring their airy style vibrating with positivity and passion. The duo is practiced at producing heady pop with classical influences and a definite pulse. Kishi and Sano’s originals are satisfyingly balanced, with moods shifting like wind through the trees with endearing waltzes, fiery Latin movements, and beautifully poignant and sweet melodies. Although the duo focuses on piano and cello arrangements, some minimal additions of percussion clappers and melodion keyboard add spice to enhance the pure music experience. ...

Jazz bassist Motoi Kanamori’s My Soul Meeting from 2018 is his album debut as leader, where his jazz group rips and swings through eight tracks of modern piano trio jazz. With a polished, fun touch, the group delivers mid- and up-tempo jazz with propulsive grooves, expressive auras, and well-timed hits. His piano trio is joined by alto and tenor sax on two tracks as well, amping up the energy with edginess and texture. ...

Agora is the 2011 debut release from vocalist Yuka Ueda who specializes in Brazilian samba and bossa nova music, singing primarily in Portuguese at jazz bars throughout Japan. The striking singer assembles some of her favorite partners for this effort, including guitarist Shinji Hashimoto, pianist Junichiro Ohkuchi, and bassist Daisuke Toi. This jazz family of musicians also joins Yuka Ueda (sometimes written as Yu~ka, Yũka, or Yuuka Ueda) frequently at her beloved neighborhood jazz bar Gate One in Tokyo. ...

Among the modern J-Jazz piano trio mainstays in the collection, Harumi Nomoto Trio’s Belinda is a favorite album to return to for catchy cool original vibes with laid-back warmth. With both loose jams and well-crafted jazz compositions, the album ebbs and flows with mid-tempo grooves and contemporary swinging. As the moods flow, pianist Harumi Nomoto alternates on acoustic piano and the warm tones of Fender Rhodes electric piano, enhancing the songs with jazz grooves fusing elements of jazz, light funk, swing, blue ballads, and gospel. While favorites like “‘7up”, “Crescent”, and the cozy gospel waltz “My Sweet Brown” deliver chic and polished jazz arrangements, the songs are also interspersed with short jams “M.M.C.M.” in two versions, and closes in unrestrained style on two tracks, with Nomoto first roaming freely on solo piano, followed by the trio free-associating and capturing the moment in symbiotic creativity. ...

Jazz quartet Bungalow issued an imaginative and flavorful debut album with Metropolitan Oasis in 2011. Striking and singular, the songs reward repeat listens by offering creative jazz compositions with stimulating blueprints. The songs ebb and flow with energy, grooves, and clever rhythms, where folk and ethnic influences converge with modern jazz, bop, classical, and free elements, pushing boundaries to reach new vistas. Masahiro Yamamoto, an original member of Bungalow featured on their first two albums, plays alto sax with a warm, textured tone which bends and flutters with visceral energy while the band lays out arcane jazz sounds not confined to the genre. Whether on the free opener “Metropolitan Oasis”, the slinky rocker “Underpass”, the mysterious drama of “Human Lost”, or the elaborate pieces “Bastristurgisism” and “O.P.P.M.”, the album cleverly navigates and develops their art of sound with lovely constructions and comfortable escapism. ...

The living music from vocal a cappella groups can be inspiring and soothing in turbulent times, with voices layered in harmony and synchronized timing for direct connections with each other and the audience. The five-piece group Baby Brothers from Tokyo released their debut Bb in 2007 with their well-arranged jazz, R&B, and hymn-like traditionals. With only their voices and no other instruments, the quality of vocal organic vibrations can powerfully connect with reassuring joy through a skillful, very human communal experience. ...

Jazz pianist Shunichi Yanagi releases a shimmering modern jazz recording with his Tokyo trio on his 2012 debut Bubble Fish. The ten original songs from the pianist incorporate rock edginess and hip coolness into piano jazz with attitude. Modern jazz trios like E.S.T. or The Bad Plus may have been influences to the trio’s kaleidoscopic sound, pushing traditional jazz boundaries with youthful freshness. On Bubble Fish, the jazz trio uses full chords and vital grooves on their compositions, bubbling with rock and pop styles infused with jazz improvisation. Yanagi’s angular patterns run up and down the piano keys with an almost electric guitar mindset. Yet, the pianist also shows a light tenderness where soft melodies rise lightly to the surface with positive energy, particularly on album highlights such as the “Shibuya Crossing” and “Prayer”, which closes the album with calming peace. ...

Japanese jazz musician Yuko Miyawaki’s debut album Song of Flower from 2011 brims with understated calm, burning steadily through original, mellow sounds and sparkling improvisation. Miyawaki’s trumpet and flugelhorn centers her core jazz quartet, adding a fifth member on tenor sax to embellish her jazz themes with sweet harmonies and cutting solos on four tracks. In addition to her compelling horn playing, Miyawaki’s contributions also include original songs and arrangements, all showing a creative style with modern themes calmly developing over sharp grooves with fascinating frameworks. The selected cover songs include a great modern jazz version of the Japanese folk song “Sakura”, the atmospheric latin tune “El Choclo”, “Summer Night” in uptempo swing, and a tender duo with guest pianist Junichiro Ohkuchi (joining on five songs) on the heartful ballad “I’m Glad There Is You”. ...

With the jazz album Gift from 2012, pianist and composer Manabu Ohishi reunites the trio from his album Wish (2010) featuring bassist Jean-Philippe Viret and drummer Simon Goubert, and releases another beautifully-recorded album of Japanese/European piano jazz from the family-run Japanese label Atelier Sawano label. Ohishi is a lyrical player, infusing his melodic touch with musical emotion and composing songs that fit well with the stylish rhythms from his French bandmates, favoring a deep groove and subtle rock rhythms over swing jazz beats. ...

Pianist Eriko Shimizu’s Sora is her debut album from 2010 on which she leads her jazz combo through seven songs featuring original and colorful arrangements. Shimizu performs with her piano trio augmented with special guests percussionist Saori Sendo, who supplies bells, chimes, and elemental sounds not typically found in jazz piano trios, and saxophonist Toshihiko Inoue who joins on a few tracks. With two exceptions, the songs are all originals including four from Shimizu. The pianist’s concepts mostly explore modern jazz territory taken at a medium pace with a light rock/country feel and fleeting moments of abstract color, as if influenced by a certain period of Keith Jarrett’s music. The title track “Sora” (sky) rolls along comfortably and brings to mind calm nature scenes while opening with rain and wind effects for atmosphere. The music continues smoothly into the bluesy noirish “Out of the Blue”, again invoking images of nature as if materialized out of the blue sky. Shimizu’s “Cat Trucks” is playfully Monkish, and “Terra” heightens the mood even more with simmering modal jazz and by adding Toshihiko Inoue’s Jan Garbarek-style soprano sax embellishments. ...

Pianist Yukari Inoue’s Sakura from 2016 blooms with colorful variety as she jumps across genres as brightly as she hops around the keys. This is her first solo piano album, recorded with a beautiful sound in concert-hall quality. The pink of Sakura cherry blossoms fits perfectly with her “color of Japan” series of albums, complementing the purple of Murasaki (2010) and fresh green of Moegi (2016), her other albums on her Silver Fingers label. On Sakura, Inoue is alone at the piano, performing songs which suit her personal piano style with influences from standard jazz to pop and classical. ...

Jazz violinist Maiko pours her heart and soul out on her 2018 release Solo, brimming with graceful elegance and drama through the resonance of her strings. Unaccompanied and pure, the sound is direct and full, as if listening to a private recital in a stately room. Despite performing alone without overdubs or effects, Maiko has the ability to establish a moving pulse with string accents and gorgeous multi-string harmonies, keeping listeners hooked and drawn into the music. ...

Vocalist Emiko Voice and pianist Dairo Suga perform jazz standards in non-standard ways on their 2009 release Phase 2Twist & Shout, a followup to their previous Phase 1 duo album from 2006. While the track listing is full of jazz favorites like “Summertime”, “Solitude”, and “Girl From Ipanema”, the standards are anything but ordinary as the music is reinvented in a one-take session with the multi-genre duo exploring different ways of interpreting these gems. ...

Wordless is Ryosuke Hashizume’s first album released in Japan in 2006, kicking off a rewarding series of modern and absorbing albums from this jazz saxophonist’s stellar group. Through his modern music, with a clean recording sound and deep reverb, the style of ECM and similar European jazz music is brought to mind. Hashizume’s group for this album is a quartet built on sax, electric guitar, fretless electric bass, and drums, and creates a sound that is both organic and electric, sleekly modern. Hashizume also uses effects to loop his sax on a few tracks, heightening the otherworldly effect on portions of the album. ...

Jazz pianist Chihiro Yamanaka’s debut album Living Without Friday turns 20 years old today! Released modestly on October 5, 2001, this album kicked off an impressive run of releases, setting the stage with memorable originals and reinvented standards while introducing new listeners to her amazing technique and creativity. Popular and in-demand on albums and live events, Yamanaka is based in New York and is a well-known representative for jazz piano from modern-day Japanese musicians. The ultra-proficient and prolific musician has been releasing new albums every year, impressively spanning a multidecade recording career with no signs of slowing down. Living Without Friday caught early attention and hinted at the potential to be unveiled through her many subsequent albums and her penchant for creative arrangements that suit her modern bop and swing jazz style. ...

The album Small Pieces for Flying Padre from Trio Export 63.1.0.X is a special release of a live jazz recording at Kanmachi 63 in Yokohama, Japan. The piano-bass-drums trio performs the set live as recorded, bringing the listener into the music through the raw recorded sound of the room for an “as if you were there” experience. The ambience of music in an enclosed space performed right in front of your eyes is captured well and transmits the energy of musical drama unfolding in unexpected ways. ...

Miyuki Moriya’s Cat’s Cradle from 2010 is modern jazz album from an alto sax quartet featuring engaging sounds and improvisation from exciting musicians. The allure of this album is deepened by the sax leader’s catchy originals, and listeners who are stimulated by angular jazz will be pulled into this music and want to return to these songs again and again. Also distinguishing the sound is the edgy, metallic sound of the alto sax and the funky, crystalline drumming, with stylish planes of piano and guitar and gliding over the deeply full bass lines. Drummer Sohnosuke draws attention with a concentrated hip-hop energy driving the odd-meter songs, and, along with steady bass lines from Ikejiri, keeps the listener anchored even through unusual rhythms beyond standard swing patterns (see Sohnosuke’s Rin (2018) for similar sounds.) ...

A novel album in several ways, Gakudan Hitori from musician Reikan Kobayashi contains interesting dimensions and juxtapositions. Kobayashi is proficient on many instruments but has primarily made a name for himself by playing shakuhachi in Japan and using the traditional Japanese bamboo flute in jazz music. As strong a voice the whistling wind of the wooden flute is itself, the incorporation of this characteristically Japanese sound to jazz and other music adds to the originality of this 2011 release. ...

Veteran jazz pianist Fumio Karashima was well-known in Japan for his quick, hard bop style and authentic feel which excited audiences at live concerts and tours as well as on albums. It’s Just Beginning from 2004 is a studio-recorded album with the impulse of a live performance set. Indeed, the tracks were selected by the pianist to showcase the trio and the music performed during a 2003 tour, jazz standards reflecting a passion for genuine jazz with significance to the pianist. Karashima, who spent time with drummer Elvin Jones’ group as well as leading his own trios, gained fans both within Japan and overseas and knows how to deliver a good set, making this an exciting jazz trio album. ...

Similar in concept to Ray Brown’s Some Of My Best Friends Are… album series in which the legendary bassist plays with assorted partners in jazz, bassist Daiki Yasukagawa’s release Trios II from 2015 features the bassist performing with four different trios assembled from multiple pianists and drummers. A followup to Yasukagawa’s Trios (2010), Trios II brings even more musicians into the recording studio and offers up a new album with the various trios performing 11 songs. ...

Bonanza, from 2012, is the debut release from guitarist Yudo Matsuo, whose kinetic quartet performs original songs with influences from electric jazz fusion to pop songwriters, a palette of sounds reflecting his varied artistic sides. The core band is made up of guitar, trumpet, fretless electric bass, and drums, with guest keyboard on three tracks adding a warm bluesy sound for extra soul. While much of the music is built around a fusion jazz/rock mood which runs through the album, the dial also moves to include smooth jazz sounds, evocative jazz waltzes, and pop, including a rendition of “Blackbird” by The Beatles. One track, “Loplop”, comes closest to pure bop guitar with a fast swing beat and walking bass, where Matsuo plays quick jazzy lines in the style of guitarists such as Tal Farlow and Pat Martino. ...

Modern jazz albums like saxophonist Hiromi Miura’s We Don’t Know Yet occupy a special place, offering original compositions with creative elements which remain in the mind and call for repeated listens. Performed with consummate skill from the New York- and Japan-based musicians, the album offers five of Miura’s songs and two cover songs, focusing on intricate modern compositions and interpretations. Miura’s creative songwriting takes on challenges like constructing sweet melodies over shadowy harmonic intervals, odd-metered rhythms, and subtle dynamic changes, also using less tangible influences from snowy weather to fantasy and space. The album was recorded at a time when reflecting on those uncertain moments between transitions, not knowing what will come next but bravely moving forward. ...

Jazz singer Azumi’s 2010 release Almost Like Being in Love is a cheery and ebullient jazz album filled with fresh takes on classic jazz standards. With well-thought-out arrangements and a satisfying choice of tunes, a variation of moods with an undercurrent of lively swing is established right from the inviting title track. Other standards include “On Green Dolphin Street”, “My Favorite Things”, and “Raindrops Keep Falling On My Head”, played as a cute jazz march. ...

Noriko Satomi brings the passion and vibrancy of jazz violin to an acclaimed jazz composition on her 2019 homage to A Love Supreme, which received a Jazz Japan Award from Jazz Japan magazine in January 2020. No doubt familiar to most jazz fans, John Coltrane’s 1965 masterpiece sets a high bar for any jazz group, with both rote recitation and musical reinvention being risky propositions. At the same time, re-experiencing the classic performance at live concerts or on newly recorded albums can provide a thrilling way for fellow fans and the performing musicians themselves to appreciate the music together. ...

Veteran bassist Hideaki Kanazawa and stellar pianist Sumire Kuribayashi join up for a calm and lyrical jazz duo on Nijuso from 2017. Using a palette of jazz standards, new compositions, and free improvisation, the duo creates a tranquil mood with songs brimming with warmth. The richly-recorded sounds of piano and bass float in and around the melodies with unhurried timing and free improvisation with vocal-like qualities. Unloosing the emotional core may be the goal as the two musicians work together to create beautiful experiences, a canvas of lullabies and spiritual-like visions. ...

The textured sound of Rabbitoo makes a lasting first impression on their debut album National Anthem of Unknown Country from 2014, a fusion of jazz, rock, and electronica influences. The five-piece group led by guitarist and primary songwriter Motohiko Ichino produces otherworldly atmospheres with loops of sound and cascading sheets of melody set against precise rock and dance-inspired beats. The instruments riff and interlace, fitting together like puzzle pieces at times, an intense chorus at others, while swirling over underlying rhythmic grids for a dusky, spacey, trance-like aura. ...

Jazz violinist Maiko trio live! Three captures a night in Tokyo in 2016, recorded live at The Glee concert hall and released as a CD and high-resolution download later that year. Jazz violinist Maiko leads the trio which includes well-known fusion guitarist Hiroki Miyano and popular in-demand pianist Shikou Ito. With violin, acoustic guitar, and piano strings resonating together to create dramatic music, comparisons could be made to fusion albums from Al Di Meola and Chick Corea. Yet Maiko’s trio is unique, combining years of experience with jazz, pop, classical, and Latin music, together with Japanese nuances for an energetic and engrossing event. ...

Routine Jazz Sextet from 2008 promotes genuine jazz from Tokyo with the flavor of 1950/60’s era jazz giants such as Horace Silver and Art Blakey & the Jazz Messengers. Not just a throwback, the band honors the musical legacy while incorporating the youthful, modern sound and mindset of current jazz players from Japan. Perhaps not well-known among standard jazz fans, the Routine Jazz Label from famed producer and DJ Kei Kobayashi gained international renown with “club jazz” compilations such as Schema, Deja Vu, and Ricky-Tick, beat-oriented music remixed with jazz and bossa nova samples for dance clubs and trance-leaning airwaves. ...