The textured sound of Rabbitoo makes a lasting first impression on their debut album National Anthem of Unknown Country from 2014, a fusion of jazz, rock, and electronica influences. The five-piece group led by guitarist and primary songwriter Motohiko Ichino produces otherworldly atmospheres with loops of sound and cascading sheets of melody set against precise rock and dance-inspired beats. The instruments riff and interlace, fitting together like puzzle pieces at times, an intense chorus at others, while swirling over underlying rhythmic grids for a dusky, spacey, trance-like aura. ...

Jazz violinist Maiko trio live! Three captures a night in Tokyo in 2016, recorded live at The Glee concert hall and released as a CD and high-resolution download later that year. Jazz violinist Maiko leads the trio which includes well-known fusion guitarist Hiroki Miyano and popular in-demand pianist Shikou Ito. With violin, acoustic guitar, and piano strings resonating together to create dramatic music, comparisons could be made to fusion albums from Al Di Meola and Chick Corea. Yet Maiko’s trio is unique, combining years of experience with jazz, pop, classical, and Latin music, together with Japanese nuances for an energetic and engrossing event. ...

Routine Jazz Sextet from 2008 promotes genuine jazz from Tokyo with the flavor of 1950/60’s era jazz giants such as Horace Silver and Art Blakey & the Jazz Messengers. Not just a throwback, the band honors the musical legacy while incorporating the youthful, modern sound and mindset of current jazz players from Japan. Perhaps not well-known among standard jazz fans, the Routine Jazz Label from famed producer and DJ Kei Kobayashi gained international renown with “club jazz” compilations such as Schema, Deja Vu, and Ricky-Tick, beat-oriented music remixed with jazz and bossa nova samples for dance clubs and trance-leaning airwaves. ...

Pianist Hideaki Hori lets his dexterous fingers do the talking on In My Words from 2010, a solid jazz trio record from Japan. Hori leads a bright, swinging trio on this jazz record, full of high-energy peaks and steady grooves. Extremely nimble in his playing, Hori’s clearly executed phrases fill his improvisation with exciting patterns and curlicues, urged on by the propulsive anchor of rhythm section members Daiki Yasukagawa on bass and Gene Jackson on drums. ...

Seiji “Taddy” Tada cooks with bebop, blues, and ballads on Workout!! from 2018. This album, his 13th as leader, is a dream come true for the musician, as he recorded with stellar American jazz musicians whom he had previously toured with, famed jazz drummer Lewis Nash and his trio. No doubt these players, all worthy idols of Tada’s, provided extra inspiration for the high-caliber and exciting playing on this recording. ...

Jazz pianist Miki Hayama’s 2006 album Prelude to a Kiss features beautiful piano jazz improvisation over smart compositions with a solid jazz trio, straightforward and serious modern jazz. This album, her second as leader, received a 5-start rating from the Japanese jazz magazine Swing Journal. While the album cover art and title present a gently elegant mood, the music does not shy away from stimulating energy. The ten tracks cover an equal amount of original compositions and rearranged jazz covers (“Beatrice”, “I Love You”, “Skylark”, “Whose Shoes”, and “Prelude to a Kiss”). ...

An unlikely fusion of heavy metal and modern jazz strikes all the right chords on NHORHM’s fourth album New Heritage Of Real Heavy Metal -Extra Edition-, released in 2019 in Japan. While jazz musicians have traditionally interpreted popular music and Broadway musicals for inspiration, NHORHM harvests heavy metal for a surprisingly fitting and rich source of material. Pianist Hitomi Nishiyama expertly rearranges heavy metal songs for piano jazz trio arrangements, imbuing the music with her characteristic elegance, darkness, intelligence, and fun. The intricate harmonic lines that Nishiyama excels at playing fit well with the dense heaviness of her carefully curated metal choices, complemented marvelously by the dexterous energy of Ryoji Orihara’s fretless bass and the rhythmically clever dynamics of Manabu Hashimoto. Far from benign cocktail jazz, the resulting music has a smart sharpness inspired by the volume and roughness of the metal spirit. While not distorted or aggressive, it is both light and heavy, and definitely rocks in its own way. ...

Fans of vintage vocal jazz will be drawn to singer Yako Horikita’s debut album Shining Hour, a swinging collection of twelve jazz standards delivered with a shining, sparking sincerity. Singing along with a piano trio plus saxophone, Horikita picks winners from the classic jazz songbook with tunes including “Nice Work If You Can Get It”, “Falling In Love With Love”, and “Under A Blanket Of Blue”. Horikita’s voice, a pleasant mix of deep huskiness with a light delicate touch, is confident, friendly, and warm, fitting perfectly with her jazz combo’s solid performance. ...

The silvery tones of masterful jazz sax glide and soar through dynamically modern jazz on Mabumi Yamaguchi’s 2017 recording Let Your Mind Alone. With eight original songs penned by Yamaguchi, the music is solid, confident, dramatic, and melodically entrancing. From the gripping opening track “Sequel To A Dream”, the songs flow with a fantastic balance of stimulation and control, offering various styles from peppy bossa rhythms, loose, modern swing, sweet ballads, and brightly positive tunes mixed with stimulating dark tinges. ...