Welcome! This is an experimental mirror site for Jazz of Japan. The latest articles include:

Takako Yamada Trio: Live at The Moment

Live at The Moment is a new album from pianist Takako Yamada’s jazz trio. The music was recorded during a live performance at The Moment in 2024 and released later that year. The Moment is a relatively new Tokyo jazz club, a polished recording studio-styled spot designed to produce and capture high-quality live audio, as was done with this album (jazz improv in the moment is a winning concept). Here, this sixty-one-minute set includes seven tracks, six jazz standards and one original song from the pianist. ...

September 13, 2025 · Brian McCrory

Sumire Kuribayashi / Kazuma Fujimoto / Takashi Sugawa: Tides of Blue

Tides of Blue is a 2025 release from the collaboration of Japanese jazz musicians Sumire Kuribayashi, Kazuma Fujimoto, and Takashi Sugawa on piano, guitar, and bass, respectively. On this album, the trio plays seven new songs, four composed by Kuribayashi and three by Fujimoto, for a total play time of 51 minutes. The album brims with brilliant acoustic music full of clear harmonies and patiently developed melodies. The music reflects abstract themes represented by words in the song titles like movement (ways, roads), water (blue, dew, tides), and belonging and comfort (home, let me). The music is not abstract, however, but pinned down with the strength of conviction and personality that each player brings to the music. Each’s player’s identity does not dissolve in the trio but combines to create a new sound that is the sum of the parts. While there is, at first brush, a seemingly slow-moving surface that may describe meditative music as with a yoga playlist or a quiet church setting, there is an undertow of jazz, pop, blues, classical, free, and folk influences throughout. (It’s may be a high bar, but as a sound reference, think of concepts like Keith Jarrett’s Koln Concert…). There is depth and nuance in the confident calm, in the ebb and flow. Quietness and patience allow for the trio’s delicate touches to be more noticable and emotionally powerful. It’s not overwhelming, not sparse, but comfortingly present, familiar, pervasive. ...

September 6, 2025 · Brian McCrory
Bigboy’s right exterior

Bigboy

Bigboy is a nice and clean jazz cafe in Jimbocho, a district known as “Tokyo’s Book Town” for its reputation of having many old bookshops, rare books, and literary-related institutions. This jazz cafe is nestled right off the big street intersection that sits atop Jimbocho Station, where the Toei Shinjuku, Mita, and Hanzomon subway lines meet. Bigboy is fairly close to the busy intersection, but tucked away in a shallow pocket of alleys. Wind through some turns along a few short streets to find the mostly plain exterior of a small, unassuming shop. This must be it: Covers of recognizable jazz albums peek out from the windows, and some instruments may be overlooking the entrance like over-the-door talismans. You’ve found Bigboy. ...

August 31, 2025 · Brian McCrory

Chihiro Yamanaka: Abyss

Abyss is a 2007 studio album from pianist Chihiro Yamanaka, recorded with bandmates Vicente Archer on bass and Kendrick Scott on drums. Like her previous albums, this is a jazz piano trio album featuring Yamanaka’s creative arrangements and impressive piano solos. With Archer and Scott as bandmates, the lineup on this album is a new one, as previous releases featured bassists Larry Grenadier and Robert Hurst, and drummers Jeff Ballard and Jeff “Tain” Watts, among others. ...

August 24, 2025 · Brian McCrory

Ryosuke Hashizume Group: As We Breathe

As We Breathe is the 2008 release from the Ryosuke Hashizume Group, a sax-led ensemble of sax, guitar, drums, bass, and piano. This jazz-quintet combination of instruments and players forms the perfect medium for bringing Hashizume’s penned compositions to life. I’ve introduced this group’s other releases at earlier points, although in an out-of-order sequence, so this article completes the set of the group’s six releases to date. As We Breathe, with nine tracks and about 70 minutes, is the second album out of the six released by the group. Despite the earliness of this and their previous album (their debut Wordless), their concept was already well-defined based on Hashizume’s compositions and musical direction, and the musicians show a cohesive personality with intuitively-linked playing and precise timing. ...

August 17, 2025 · Brian McCrory

Michiyo Matsushita Trio: Free

Free is the third album from the Michiyo Matsushita Trio. With the members active in their individual recording and playing schedules in Japan and internationally, they have continued to play together regularly as the Michiyo Matsushita Trio. Still, it had been 13 years since their previous 2011 release Prayer for Peace (and half that since Matsushita’s 2018 solo album Sally Gardens), so fans of the trio were pleasantly surprised to hear of this new offering coming out last year. As with the previous trio albums, old friends and long-running members Show Kudo on bass and Ryo Saito on drums join pianist Michiyo “Michiyon” Matsushita. ...

August 10, 2025 · Brian McCrory

Yuji Ito & Koichi Hirata Duo: Two for the Road

Two for the Road is a 2024 album from bassist Yuji Ito and guitarist Koichi Hirata, working as a duo here on their first collaboration. Both musicians are young, still in their 20s and 30s, yet their style, vocabulary, and tone speak of a maturity born of attentive listening, devotion, and playing experience. They fill the nine-track album with 58 minutes of beloved tunes from the standard jazz playbook and the ballad/swing/bop canon, mostly from the core 1950s and 60s jazz eras: ...

August 3, 2025 · Brian McCrory

NHORHM: New Heritage of Real Heavy Metal

NHORHM is New Heritage of Real Heavy Metal. It’s not only a homage to the original NWOBHM abbreviation, but also an incredible initialism of the three musicians: N ishiyama H itomi (piano), O rihaya R yoji (bass), and H ashimoto M anabu (drums), with names in the last-name-first Japanese convention. (I include a brief diversion on “What is NWOBHM?” later, below…) This debut album from NHORHM was released in 2015 and rereleased/remastered in 2024 when the first run was sold out, and both new listeners and fans who originally missed out were clamoring for copies. The album contains ten tracks, nine cover songs and one original by pianist Nishiyama. All arrangements are by Nishiyama, and this is not something to take lightly; the whole project hinges on the idea of a jazz piano trio covering heavy metal tunes, and the success of the endeavor relies a lot on bridging the gap between those distinct sounds, styles, and instrumentation, and on making the music appealing, listenable, and great, despite the obvious novelty aspect that may precede the experience. Yet, never fear, Nishiyama took the challenge seriously and put a lot of work into this project. ...

July 25, 2025 · Brian McCrory
Seiji Endo at Natural in January 2025

Natural

Music Salon Natural is a concert venue in Mitaka, a small town to the west of Tokyo. The town itself is probably most well-known by tourists to Japan for its Ghibli Museum, a widely-mentioned essential top for fans of anime and the popular Studio Ghibli movies. Figure 1: Seiji Endo at Natural in January 2025 As for this jazz spot Natural, the venue’s name is inspired by the goal of delivering music naturally (described as a natural sound/acoustics environment in ナチュラルの音環境) through an interesting variety of events, musicians, and styles. ...

July 19, 2025 · Brian McCrory