<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>小松伸之 on Jazz of Japan | Brian McCrory</title>
    <link>https://mirror2.jazzofjapan.com/tags/%E5%B0%8F%E6%9D%BE%E4%BC%B8%E4%B9%8B/</link>
    <description>Recent content in 小松伸之 on Jazz of Japan | Brian McCrory</description>
    <generator>Hugo</generator>
    <language>en</language>
    <lastBuildDate>Thu, 16 May 2024 00:00:00 +0000</lastBuildDate>
    <atom:link href="https://mirror2.jazzofjapan.com/tags/%E5%B0%8F%E6%9D%BE%E4%BC%B8%E4%B9%8B/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>Hideaki Hori: Horizon</title>
      <link>https://mirror2.jazzofjapan.com/hideaki-hori-horizon/</link>
      <pubDate>Fri, 08 Dec 2023 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/hideaki-hori-horizon/</guid>
      <description>&lt;p&gt;Jazz pianist Hideaki Hori kicked off his recording career 20 years ago, and it all started with this debut album &lt;em&gt;Horizon&lt;/em&gt; from 2003. Since then, he’s released another 20 albums as leader in his nearly 30-year career under his own name or as the group “Encounter” with saxophonist Wataru Hamasaki. As a session musician and recording partner, Hori has also played on more than 160 albums for many notable Japanese and international acts including “Dreams Come True”, “Paris Match”, Eddie Henderson, Mabumi Yamaguchi, and many others. It’s an impressive resume for an accomplished pianist who’s still actively playing live music somewhere in front of an audience almost every day.&lt;/p&gt;</description>
    </item>
    <item>
      <title>Yuka Ueda: Dois</title>
      <link>https://mirror2.jazzofjapan.com/yuka-ueda-dois/</link>
      <pubDate>Fri, 05 Feb 2021 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/yuka-ueda-dois/</guid>
      <description>&lt;p&gt;On Yuka Ueda’s 2013 release &lt;em&gt;Dois,&lt;/em&gt; the Japanese singer assembles thirteen songs from her Brazilian and Latin repertoire that she’s perfected at live spots and events around Japan. The track listing satisfies with many deep gems and a few common Jobim tunes, a boon for jazz listeners who may be weary of the usual bossa novas. Definitely not background music, this album is active with a strong spirit and spicy energy powered by swaying hip rhythms and oscillations tuned to the bones.&lt;/p&gt;</description>
    </item>
    <item>
      <title>Mabumi Yamaguchi: Let Your Mind Alone</title>
      <link>https://mirror2.jazzofjapan.com/mabumi-yamaguchi-let-your-mind-alone/</link>
      <pubDate>Tue, 19 Nov 2019 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/mabumi-yamaguchi-let-your-mind-alone/</guid>
      <description>&lt;p&gt;The silvery tones of masterful jazz sax glide and soar through dynamically modern jazz on Mabumi Yamaguchi’s 2017 recording &lt;em&gt;Let Your Mind Alone&lt;/em&gt;.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1220375x-1200.jpeg&#34;&gt;
    &lt;img loading=&#34;lazy&#34; src=&#34;L1220375x-1200.jpeg&#34;/&gt; &lt;/a&gt;
&lt;/figure&gt;

&lt;p&gt;With eight original songs penned by Yamaguchi, the music is solid, confident, dramatic, and melodically entrancing. From the gripping opening track “Sequel To A Dream”, the songs flow with a fantastic balance of stimulation and control, offering various styles from peppy bossa rhythms, loose, modern swing, sweet ballads, and brightly positive tunes mixed with stimulating dark tinges.&lt;/p&gt;</description>
    </item>
  </channel>
</rss>
