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    <title>峰厚介 on Jazz of Japan | Brian McCrory</title>
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      <title>Mikiko Nagatake Trio: Breathe Beneath the Sun</title>
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      <pubDate>Sat, 03 Jan 2026 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;From 2022, &lt;em&gt;Breathe Beneath the Sun&lt;/em&gt; is pianist Mikiko Nagatake’s second release, a jazz piano trio recording that came out just one year after her debut album &lt;em&gt;Into the Forest&lt;/em&gt; (2021). With the same members as on her first album, her trio includes Ryoji Orihara on fretless bass and Sota Kira on drums, two popular players in many Tokyo jazz groups. Another similarity between Nagatake’s first two albums is the addition of special guest horn players on a few songs. While the first album featured saxophonist Nami Kano on a bonus track, this album features two more saxophone guests well-known in the world of Japanese jazz, Kosuke Mine and Eiichi Hayashi, who join Nagatake as special guests for one track each near the end of the album.&lt;/p&gt;</description>
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      <title>Yuji Ito &amp; Koichi Hirata Duo: Two for the Road</title>
      <link>https://mirror2.jazzofjapan.com/yuji-ito-koichi-hirata-duo-two-for-the-road/</link>
      <pubDate>Sun, 03 Aug 2025 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;&lt;em&gt;Two for the Road&lt;/em&gt; is a 2024 album from bassist Yuji Ito and guitarist Koichi Hirata, working as a duo here on their first collaboration. Both musicians are young, still in their 20s and 30s, yet their style, vocabulary, and tone speak of a maturity born of attentive listening, devotion, and playing experience.&lt;/p&gt;
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&lt;p&gt;They fill the nine-track album with 58 minutes of beloved tunes from the standard jazz playbook and the ballad/swing/bop canon, mostly from the core 1950s and 60s jazz eras:&lt;/p&gt;</description>
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      <title>Miyuki Moriya: Beyond the Sea</title>
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      <pubDate>Sun, 09 Feb 2025 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;&lt;em&gt;Beyond the Sea&lt;/em&gt; is saxophonist Miyuki Moriya’s fourth album as a leader, which she released in 2024 with her regular quartet of Mamoru Ishida (piano), Junichi Sato (bass), and Sohnosuke Imaizumi (drums). This album contains nine tracks over sixty-eight minutes and features mostly originals from the saxophonist, with two specially selected cover songs from Japanese jazz musicians that influenced her most in her jazz life.&lt;/p&gt;
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&lt;p&gt;One of those personal heroes is saxophonist Kosuke Mine, who joins the group as a special guest and adds his engagingly vibrant tenor sax sound on five of the nine tracks. Those include two of the album’s peaks for excitement (the edge-of-your-seat #2 “Flip a Coin” and the funkily thrillseeking #5 “Maverick”) as well as Mine’s introspective ballad #7 “After the Checkout” where the two saxes converse over melancholy piano chords to set a dramatic scene.&lt;/p&gt;</description>
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      <title>Kohsuke Mine Quintet: Major to Minor</title>
      <link>https://mirror2.jazzofjapan.com/kohsuke-mine-quintet-major-to-minor/</link>
      <pubDate>Wed, 19 Aug 2020 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;Kohsuke Mine Quintet’s 1993 album &lt;em&gt;Major to Minor&lt;/em&gt; is full of life, a straight-ahead jazz outing built upon solid group unity and stimulating jazz improvisation.&lt;/p&gt;
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&lt;p&gt;Mine is a living legend who started young, releasing his first album in 1970 to immediate acclaim. He cut his jazz teeth with many well-known musicians, including Joe Henderson, Mal Waldron, Sadao Watanabe, Terumasa Hino… the list is long. For a period, he was a long-time member of the fusion jazz group Native Son, after which he returned to leading his own straight-ahead groups, touring, recording, and lighting up the jazz scene in Japan and abroad.&lt;/p&gt;</description>
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