柴田亮

Guitarist Hiroshi Fukutomi’s first album is Rings of Saturn from 2010. On this recording, the guitarist plays modern jazz compositions under the flag of his own quintet featuring Masahiro Yamamoto on alto and soprano sax, Koichi Sato on piano (also on Fukutomi’s 2014 followup Memory Stones), Hiroshi Ikejiri on bass, and Ryo Shibata on drums. Fukutomi’s debut album runs for 54 minutes and features seven original compositions, six from Fukutomi and one from saxophonist Yamamoto. The songs are composed by Fukutomi to be platforms for interplay, where the front-most instruments of guitar, sax, and piano merge and relay with an intimate immediacy, rather than each musician stepping back to make room for longer periods of singular adlibs. As with great jazz combos, there’s close collaboration where all five members listen closely to one another, pick their moments to step forward or back, and raise or relax the tension with the right-timed notes and rhythms. ...

Erisa Ogawa (ERiSA) is a flutist, voice percussionist, and composer whose second album, /Where Have U Been? (/2019) is a jewel box of jazz and pop, mixed together into a smooth and stimulating album. Colorful like sprinkles on donuts, the vibrancy extends from the cover design and illustrations (also by Ogawa) down through to her music. Her flute playing is jazzy, quick, and skillful, obviously the result of years of dedication and study of jazz and flute, but can also be petal-soft with a charming, tremulous vibrato that tugs the at heartstrings for an extra emotional charge. ...

Jazz pianist Shunichi Yanagi releases a shimmering modern jazz recording with his Tokyo trio on his 2012 debut Bubble Fish. The ten original songs from the pianist incorporate rock edginess and hip coolness into piano jazz with attitude. Modern jazz trios like E.S.T. or The Bad Plus may have been influences to the trio’s kaleidoscopic sound, pushing traditional jazz boundaries with youthful freshness. On Bubble Fish, the jazz trio uses full chords and vital grooves on their compositions, bubbling with rock and pop styles infused with jazz improvisation. Yanagi’s angular patterns run up and down the piano keys with an almost electric guitar mindset. Yet, the pianist also shows a light tenderness where soft melodies rise lightly to the surface with positive energy, particularly on album highlights such as the “Shibuya Crossing” and “Prayer”, which closes the album with calming peace. ...