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    <title>梶谷裕子 on Jazz of Japan | Brian McCrory</title>
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      <title>Koichi Sato: Embryo</title>
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      <description>&lt;p&gt;Koichi Sato’s two-disc album &lt;em&gt;Embryo&lt;/em&gt; is another remarkable showcase for the talented composer/arranger/pianist. Unfolding the gift-like box presents two CDs enclosed in an &lt;a href=&#34;https://www.nagalu.jp/embryo&#34;&gt;all-paper-and-cardboard-constructed package&lt;/a&gt;, a pleasing way to open the concept album. The placid cover art also carries a surprise, one that is illuminated when the lights are turned down for a listening session.&lt;/p&gt;
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&lt;p&gt;The concept is made clearer in the titles of the two discs, Disc 1 “Water” and Disc 2 “Breath”. The two titles perhaps symbolize the transition from womb to world, and describe the sounds of each side. The first disc has Sato playing fourteen of his songs on solo piano, and the second finds Sato playing with small ensembles on twelve tracks, with some of his songs rearranged and repeated between the two discs.&lt;/p&gt;</description>
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