橋本学 on Jazz of Japan | Brian McCrory

Ochikochi: Ochikochi

Sun, 24 May 2026 00:00:00 +0000

Ochikochi is the 2013 album released from a trio of the same name consisting of Taiichi Kamimura on sax, Norikatsu Koreyasu on bass, and Manabu Hashimoto on drums. All songs are by the group’s front horn player Kamimura. It’s adventurous jazz music in the uninhibited hip style of rugged jazz legends like Ornette Coleman and Eric Dolphy. Even through to the current day, when Kamimura plays live, he still often leads Ornette Coleman-style concerts and jam sessions at various jazz spots around Japan.

Ryosuke Hashizume Group: As We Breathe

Sun, 17 Aug 2025 00:00:00 +0000

As We Breathe is the 2008 release from the Ryosuke Hashizume Group, a sax-led ensemble of sax, guitar, drums, bass, and piano. This jazz-quintet combination of instruments and players forms the perfect medium for bringing Hashizume’s penned compositions to life. I’ve introduced this group’s other releases at earlier points, although in an out-of-order sequence, so this article completes the set of the group’s six releases to date.

As We Breathe, with nine tracks and about 70 minutes, is the second album out of the six released by the group. Despite the earliness of this and their previous album (their debut Wordless), their concept was already well-defined based on Hashizume’s compositions and musical direction, and the musicians show a cohesive personality with intuitively-linked playing and precise timing.

NHORHM: New Heritage of Real Heavy Metal

Fri, 25 Jul 2025 00:00:00 +0000

NHORHM is New Heritage of Real Heavy Metal. It’s not only a homage to the original NWOBHM abbreviation, but also an incredible initialism of the three musicians: N ishiyama H itomi (piano), O rihaya R yoji (bass), and H ashimoto M anabu (drums), with names in the last-name-first Japanese convention. (I include a brief diversion on “What is NWOBHM?” later, below…)

This debut album from NHORHM was released in 2015 and rereleased/remastered in 2024 when the first run was sold out, and both new listeners and fans who originally missed out were clamoring for copies. The album contains ten tracks, nine cover songs and one original by pianist Nishiyama. All arrangements are by Nishiyama, and this is not something to take lightly; the whole project hinges on the idea of a jazz piano trio covering heavy metal tunes, and the success of the endeavor relies a lot on bridging the gap between those distinct sounds, styles, and instrumentation, and on making the music appealing, listenable, and great, despite the obvious novelty aspect that may precede the experience. Yet, never fear, Nishiyama took the challenge seriously and put a lot of work into this project.

Ryosuke Hashizume Group: Side Two

Fri, 08 Nov 2024 00:00:00 +0000

Saxophonist and composer Ryosuke Hashizume has released six albums with the Ryosuke Hashizume Group over nearly two decades. These albums feature Hashizume’s uniquely original compositions played by his long-running group. This group has mainly been a quintet (of sax, guitar, piano, bass, and drums) with many of the same members present throughout the years.

In particular, guitarist Motohiko Ichino and fretless electric bassist Ryoji Orihara have been a constant and large part of the sound of the group. They are brilliant electric partners to Hashizume’s breathy and sawtoothed acoustic sax sound (Hashizume also dips into electricity a bit when playing his sax as cycles and drones looped through a device, occasionally).

Hideaki Hori: Horizon

Fri, 08 Dec 2023 00:00:00 +0000

Jazz pianist Hideaki Hori kicked off his recording career 20 years ago, and it all started with this debut album Horizon from 2003. Since then, he’s released another 20 albums as leader in his nearly 30-year career under his own name or as the group “Encounter” with saxophonist Wataru Hamasaki. As a session musician and recording partner, Hori has also played on more than 160 albums for many notable Japanese and international acts including “Dreams Come True”, “Paris Match”, Eddie Henderson, Mabumi Yamaguchi, and many others. It’s an impressive resume for an accomplished pianist who’s still actively playing live music somewhere in front of an audience almost every day.

Ryosuke Hashizume Group: Acoustic Fluid

Fri, 28 Jul 2023 00:00:00 +0000

The title of the album Acoustic Fluid from the Ryosuke Hashizume Group captures the essence of moving, flowing sounds that fill up this music. Like most of Hashizume’s albums and live shows, his original compositions are featured on this 2012 album, his sixth release. Throughout /Acoustic Fluid/’s nine tracks, the five-member group expands these charts with push-and-pull activity, like waves on water or breaths of air.

The music on this album alternates between slow, free sketches and mid-tempo modern jazz. The slower tracks are beautifully patient, somewhat open-ended with room for the group to pulse and grow organically while trekking through the movements.

Ryosuke Hashizume Group: Wordless

Mon, 24 Feb 2020 00:00:00 +0000

Wordless is Ryosuke Hashizume’s first album released in Japan in 2006, kicking off a rewarding series of modern and absorbing albums from this jazz saxophonist’s stellar group.

Through his modern music, with a clean recording sound and deep reverb, the style of ECM and similar European jazz music is brought to mind. Hashizume’s group for this album is a quartet built on sax, electric guitar, fretless electric bass, and drums, and creates a sound that is both organic and electric, sleekly modern. Hashizume also uses effects to loop his sax on a few tracks, heightening the otherworldly effect on portions of the album.

Daiki Yasukagawa Trio: Trios II

Mon, 10 Feb 2020 00:00:00 +0000

Similar in concept to Ray Brown’s Some Of My Best Friends Are… album series in which the legendary bassist plays with assorted partners in jazz, bassist Daiki Yasukagawa’s release Trios II from 2015 features the bassist performing with four different trios assembled from multiple pianists and drummers. A followup to Yasukagawa’s Trios (2010), Trios II brings even more musicians into the recording studio and offers up a new album with the various trios performing 11 songs.

NHORHM: New Heritage of Real Heavy Metal -Extra Edition-

Tue, 07 Jan 2020 00:00:00 +0000

An unlikely fusion of heavy metal and modern jazz strikes all the right chords on NHORHM’s fourth album New Heritage Of Real Heavy Metal -Extra Edition-, released in 2019 in Japan.

While jazz musicians have traditionally interpreted popular music and Broadway musicals for inspiration, NHORHM harvests heavy metal for a surprisingly fitting and rich source of material.

Pianist Hitomi Nishiyama expertly rearranges heavy metal songs for piano jazz trio arrangements, imbuing the music with her characteristic elegance, darkness, intelligence, and fun. The intricate harmonic lines that Nishiyama excels at playing fit well with the dense heaviness of her carefully curated metal choices, complemented marvelously by the dexterous energy of Ryoji Orihara’s fretless bass and the rhythmically clever dynamics of Manabu Hashimoto. Far from benign cocktail jazz, the resulting music has a smart sharpness inspired by the volume and roughness of the metal spirit. While not distorted or aggressive, it is both light and heavy, and definitely rocks in its own way.

Daiki Yasukagawa Trio: Kanmai

Fri, 23 Aug 2019 00:00:00 +0000

Like the expansive cover depicting a peaceful blue ocean and sky, jazz bassist Daiki Yasukagawa’s trio on Kanmai creates a mood of a rolling deep and lofty grace.

The album includes nine modern jazz tunes, most being original compositions from Yasukagawa, and one each from pianist Sato and drummer Hashimoto. Two standards are also included, a swingy, stylish “Long Ago And Far Away”, and a bowed-bass feature on “Greensleeves”, a delicate, sacred performance heavy with emotional weight.

Ryosuke Hashizume Group: Visible/Invisible

Thu, 24 Jan 2019 00:00:00 +0000

Music that takes you places, Visible/Invisible from the Ryosuke Hashizume Group presents six works of art from the saxophonist/composer, perfectly executed by the five musicians, through mellow, warm electric guitar, grooving and smooth electric fretless bass, organic and emotive piano, thrillingly creative drumming, and center-stage visceral tenor sax, filling out the spaces of otherworldly jazz.

Through sounds ranging from ethereal and delicate to deep and groovy, the music steadily develops in dramatic style, patiently, with nooks and crannies of musical texture creating a fulfilling, lush experience. This is art music, creative jazz with rock, modern classical, and free elements, carefully crafted with space for the skilled musicians to stretch out together, painting fantastic and vivid colors with harmonic richness and rhythmic dynamicism.

Taihei Asakawa: Catastrophe in Jazz

Tue, 22 May 2018 00:00:00 +0000

Jazz pianist Taihei Asakawa pushes boundaries on his 2011 release Catastrophe in Jazz.

This modern jazz piano trio album is a fascinating one, balancing moments of furious musical fire, where rapid melodic lines are played as if by electric guitar, alongside slower melancholic moments of pianistic beauty, heavy with emotion.

The 12 original songs on this album range from hot to cool, exploring clever odd-metered structures, modern lyrical European-style jazz, energetic rapid-fire aggression, classical piano sounds, moments of meditative reflection, and even quirky hiphop-influenced jazz pop.

Ryosuke Hashizume Group: Incomplete Voices

Tue, 30 Jan 2018 00:00:00 +0000

Incomplete Voices is the latest release from the Ryosuke Hashizume Group, released in 2017. As with prior albums, this is a wonderful collection of carefully conceived modern jazz compositions showcasing the saxophonist’s concepts and the tight-knit group dynamics. Close attention is paid to the harmonic and rhythmic layers in the music with excitement built on climactic resolutions and striking moods.

The music is sleek, organic, and hypnotic at times. For example, track #3 “Synesthesia” is particularly magical as time and pulse slip and shift as the music develops; at other times, the group locks into a detailed groove, or opens up the framework and allows timekeeping to fade from the audio palette. The roomy improvisational passages are filled with emotional passion and rooted by the quintet’s empathy established through years of live and recording experience.