池尻洋史

Guitarist Hiroshi Fukutomi’s first album is Rings of Saturn from 2010. On this recording, the guitarist plays modern jazz compositions under the flag of his own quintet featuring Masahiro Yamamoto on alto and soprano sax, Koichi Sato on piano (also on Fukutomi’s 2014 followup Memory Stones), Hiroshi Ikejiri on bass, and Ryo Shibata on drums. Fukutomi’s debut album runs for 54 minutes and features seven original compositions, six from Fukutomi and one from saxophonist Yamamoto. The songs are composed by Fukutomi to be platforms for interplay, where the front-most instruments of guitar, sax, and piano merge and relay with an intimate immediacy, rather than each musician stepping back to make room for longer periods of singular adlibs. As with great jazz combos, there’s close collaboration where all five members listen closely to one another, pick their moments to step forward or back, and raise or relax the tension with the right-timed notes and rhythms. ...

Like explorers on a caravan, Bungalow produces imaginative music on their third album Unseen Scenes from 2015, carving their unique path through new jazz and rhythms. Compulsively rhythmic and compelling, this album is another fantastical journey through the nooks and crannies of modern jazz with exotic fringes. With Bungalow, creativity is in focus, and on Unseen Scenes this creativity often incorporates repeating riffs and loops of fresh drum patterns and evocative moods. Strands of music weave together to provide the fabric over which saxophone melodies arc and swoop. A combination of dense flavors, spicy accents, and lush spaces with some straight-ahead modern jazz as well. ...

Jazz quartet Bungalow issued an imaginative and flavorful debut album with Metropolitan Oasis in 2011. Striking and singular, the songs reward repeat listens by offering creative jazz compositions with stimulating blueprints. The songs ebb and flow with energy, grooves, and clever rhythms, where folk and ethnic influences converge with modern jazz, bop, classical, and free elements, pushing boundaries to reach new vistas. Masahiro Yamamoto, an original member of Bungalow featured on their first two albums, plays alto sax with a warm, textured tone which bends and flutters with visceral energy while the band lays out arcane jazz sounds not confined to the genre. Whether on the free opener “Metropolitan Oasis”, the slinky rocker “Underpass”, the mysterious drama of “Human Lost”, or the elaborate pieces “Bastristurgisism” and “O.P.P.M.”, the album cleverly navigates and develops their art of sound with lovely constructions and comfortable escapism. ...

Miyuki Moriya’s Cat’s Cradle from 2010 is modern jazz album from an alto sax quartet featuring engaging sounds and improvisation from exciting musicians. The allure of this album is deepened by the sax leader’s catchy originals, and listeners who are stimulated by angular jazz will be pulled into this music and want to return to these songs again and again. Also distinguishing the sound is the edgy, metallic sound of the alto sax and the funky, crystalline drumming, with stylish planes of piano and guitar and gliding over the deeply full bass lines. Drummer Sohnosuke draws attention with a concentrated hip-hop energy driving the odd-meter songs, and, along with steady bass lines from Ikejiri, keeps the listener anchored even through unusual rhythms beyond standard swing patterns (see Sohnosuke’s Rin (2018) for similar sounds.) ...

Utopia is the debut leader album for pianist Koichi Sato, who reaches for high standards in his original compositions and impressive performances. This is stimulating modern jazz performed by a piano trio not limited by standard jazz conventions, based in jazz tradition while incorporating some classical and pop influences as well. The nine original songs on this album are full of lyrical freshness balanced with impeccable timing and a sensitive touch. The music covers territory from dream-fantasy jazz waltzes, Lennie Tristano-style post-bop, melancholy ballads, and groovy rock-beat uplifting music, all united with sense of the peace and comfort brought about by Sato’s poetic vision of utopia. ...

The jazz group Bungalow displays their original approach to modern art jazz on their second album, Past Life, from 2013. As a jazz quartet featuring airy alto sax and piano, double bass, and drums, the group incorporates creative musical elements such as the use of Indian tabla drums and subtle sound effects and processing, a bit similar to the style of the Swedish jazz group E.S.T. Bungalow’s compositions are in focus here, and like modern songwriting from Wayne Shorter, the music differs from standard jazz patterns with interesting, well-constructed songs, featuring elements of upbeat swing, poetic and meditative calm, visceral rock and organically looping riffs, embellished with searching melodies and smart improvisation played brilliantly. This is well-balanced and addictive modern jazz that weaves deep musical grooves with imaginative compositions and skillful playing, reflecting future-facing sounds built on traditional music from Past Life. ...

On Bungalow’s fourth album You Already Know (2017), the modern jazz group does what they do best with creative jazz, new ideas, and textured sounds. This album is rich with catchy ideas and incorporates elements of jazz groove, free jazz, Indian tabla drums, and electronic sound effects. You Already Know is part of the band’s series of adventurous and atmospheric releases filled with strong hooks and compelling rhythms. While vamps and percussion anchor the music, shifting tempos, primal folk elements, dreamy improvisation, and some noise effects also factor in on tracks such as “Gravity Snap”, “Imagined Winter”, and the graceful title track. Whether you already know Bungalow’s music or not, this music does take you places. ...