治田七海 on Jazz of Japan | Brian McCrory

Nanami Haruta: II

Mon, 27 Nov 2023 00:00:00 +0000

Trombonist Nanami Haruta’s debut release II from 2022 is another great example of new jazz albums from new players that keep flowing to the hands and ears of eager fans. Haruta, a young player who has been making an impact in the Japanese jazz scene, has been frequently featured as both leader and guest member at various live shows. In addition to this debut, she has also participated in other recent recordings such as 64 Charlesgate (2022) and For My Lady (2023).

Akane Matsumoto & Nanami Haruta: For My Lady

Fri, 21 Jul 2023 00:00:00 +0000

For My Lady is a relaxing package of jazz standards performed by a sensitive trombone and piano duo. Akane Matsumoto, known for her impressive bebop and swing skills, joins up with young newcomer Nanami Haruta on trombone, and both players select favorites from the jazz standard library for this album, each song accompanied by comments in the liner notes translated below.

With a laid-back and reigned-in sound, the album is easy to listen to, suitable for relaxation or a comfortable backdrop to day or night. The music fills the room with a calm background texture, with most songs played at slow tempos or as freely-interpreted ballads. The dark-tinged wistful sound of Haruta’s trombone supported by Matsumoto’s wide piano dynamics creates a melancholy feeling with undercurrents of swing, unobtrusive, quietly persuasive, and suggestive of mellow musical stories being told.

Akihiro Yoshimoto Quartet: 64 Charlesgate

Fri, 07 Jul 2023 00:00:00 +0000

Saxophonist Akihiro Yoshimoto’s 62 Charlesgate is a 2022 album where he showcases both his original music and a group of young musicians from the Japanese jazz scene. The quartet is made up of saxophone, trombone, bass, and drums, with no chordal instrument like piano or guitar filling up the comping harmonies. The resulting music, composed for two horns to play melodies in union, harmony, counterpointing, or trading phrases, has a well-suited sound for Yoshimoto’s organized yet free and open concept on this album.