熊谷ヤスマサ

In the style of classic apostrophe-bearing jazz album titles, pianist Yasumasa Kumagai and bassist Ryu Kawamura offer up Ol’ School Jazz, a collection of beloved jazz standards played with authenticity and a love for the era with their pared-down duo format. (Aside: Following this apostrophe trail, this album’s bluesy first track may be no accidental serendipity but an intentional pick. Starting with the album title Ol’ School Jazz, the first track “Driftin’”, and that song’s origin on Herbie Hancock’s Takin’ Off, that’s three apostrophes already. Did the friendly informality of this “jazz apostrophe” as used in the day carry a similar effect — particularly for the “jazz atmosphere” of certain albums, laid back but highly skilled, casual but serious — as emojis and internet abbreviations do today? A prototype for the simple, effective, and immediate impact of quick slang like LOL, OMG, WTF? BRB…) ...

The latest album from J Jazz pianist Yasumasa Kumagai is titled Last Resort, released in 2020 on his own independent label with his jazz piano trio plus Miki Hirose on trumpet. Although the eye-catching cover design may be a world away from typical jazz albums, the aggressive, tongue-in-cheek image succeeds in standing out, a conscious attempt to challenge flagging CD sales in recent years by piquing interest and possibly head-scratching confusion. ...

Yasumasa Kumagai’s Pray (2010) is a stylishly straight ahead affair, a cool and groovy collection of the pianist’s original tunes which melds modern jazz, soulful grooves, and gospel influences with his characteristic piano playing and original compositions. On Pray, Kumagai’s trio opens with “Brotherhood”, setting up an atmospherically moody yet light and relaxed vibe. Other album highlights include his live-show favorite “Yellow Tail”, a well-developed modern jazz exciter, and “Choir’s Got Fired”, a laid-back groove with irresistibly catchy riffs and an album highlight. The music is influenced by modern jazz players like Robert Glasper as well as hip hop concepts and includes enough dashes of unexpected changes, odd meters and beats, honest sensitivity, and spicy dissonance to keep the album in regular rotation for a great J Jazz piano trio playlist. ...

Yasumasa Kumagai’s debut album from 2008, I Need a Change, Too, establishes his J Jazz hip hop concept with force: From the shocking pink cover art and the unexpected electronic soulful beats of the brief opening track “I.N.T.R.O.”, the album takes thrilling twists and turns through jazz laced with groove, centered on a powerfully soulful and vibrant modern jazz piano trio. Fun and catchy but with a serious musical depth, the music covers both cool and bittersweet moods, at times evoking influences from Robert Glasper’s style of gospel-inspired hip-hop jazz. Kumagai’s songwriting skill and precision playing make for a high-quality J Jazz album, full of soul and passion rooted in authentic jazz with ultra-modern sharpness. ...

The jazz style of pianist/composer Yasumasa Kumagai has always been pinned to the leading edge of modern J Jazz built on a foundation of straight-ahead jazz standards and jams. With a strong influence from jazz pianist Robert Glasper, a one-time teacher of Kumagai, this pianist flows naturally with his fearless compositions and modern angles. Kumagai’s music is no-nonsense jazz rooted in tradition amidst elements of groovy gospel music, Latin flavors, and funky hip-hop — all with a fashionable streetwise attitude and a good-natured sense of humor. ...