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    <title>相川瞳 on Jazz of Japan | Brian McCrory</title>
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      <title>Hitomi Aikawa &amp; Masaki Hayashi: Ten To Sen</title>
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      <pubDate>Sun, 26 Apr 2026 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;&lt;em&gt;Ten to Sen&lt;/em&gt; is a 2025 release from the duo of percussionist Hitomi Aikawa and pianist Masaki Hayashi. On this album, Aikawa plays marimba, glockenspiel, hand drums, and other percussion instruments, and she composed most on the music as well. Hayashi plays piano on all songs and contributed one composition to the album.&lt;/p&gt;
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         alt=&#34;Figure 1: Front cover&#34;/&gt; &lt;/a&gt;&lt;figcaption&gt;
            &lt;p&gt;&lt;span class=&#34;figure-number&#34;&gt;Figure 1: &lt;/span&gt;Front cover&lt;/p&gt;
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&lt;p&gt;The duo’s music is harmoniously beautiful with an understated personality projecting a calm confidence, one that supports a balance of bold strokes and playful trepidation delivered by patient hands. The duo takes its time with gentle moments as well as the elevated dramatic energy of dots and lines swirling together on a canvas to create colorful stories. When not flowing free in rubato intros and sections, the duo locks into implied deep grooves and looped time-based phrases that repeat over one another, sometimes in offsets that create a crisscross of overlapping motifs combining simplicity and complexity all at once. It’s more soothing waves than sharp corners, still the playing is expert and precise.&lt;/p&gt;</description>
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      <title>Hitomi Aikawa: Sweet</title>
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      <pubDate>Sat, 11 Oct 2025 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;&lt;em&gt;Sweet&lt;/em&gt; is the title of percussionist Hitomi Aikawa’s debut album. It was recorded and released in Japan in 2018 and contains fourteen of her compositions. A multi-instrumentalist, Aikawa plays various instruments on the songs and is joined on many of them by special guests Masaki Hayashi and Eri Uenoyama on piano, Hiroshi Suzuki on woodwinds, and Megumi Hattori on vibraphone.&lt;/p&gt;
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&lt;p&gt;As for the instruments Hitomi Aikawa is using on each track, the details are not listed on the CD or in the liner notes. However, clues can be found on her website, where a list of her percussion collection is displayed, and it can be fun to use your ear to try and figure out which instruments are producing the sounds you hear as you listen to &lt;em&gt;Sweet&lt;/em&gt;. Her large percussion collection numbers in the dozens and ranges from mallet instruments (vibraphone, marimba, xylophone, glockenspiel), hand drums (djembe, cajón, congas, bongos, timbales), tambourines, castanets, triangle, cymbals, chimes, blocks, Afro-Latin instruments, and many others.&lt;/p&gt;</description>
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      <title>Magnolia: El viento y las flores</title>
      <link>https://mirror2.jazzofjapan.com/magnolia-el-viento-y-las-flores/</link>
      <pubDate>Mon, 03 Feb 2025 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;Magnolia is a trio made up of vibraphone, piano, and percussion, and their debut album, &lt;em&gt;El viento y las flores&lt;/em&gt; was released in 2022. This fifty-six-minute album contains ten tracks of all original compositions, four from vibraphonist Reiko Yamamoto and three each from pianist Yuka Yanagihara and percussionist Hitomi Aikawa. Despite having three independent composers, their tight interplay and musical personalities seem tightly bound together, as if their collective music just blooms out intuitively unified.&lt;/p&gt;</description>
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