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    <title>納谷嘉彦 on Jazz of Japan | Brian McCrory</title>
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      <title>Ayumi Koketsu: Struttin’</title>
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      <pubDate>Sun, 17 May 2026 00:00:00 +0000</pubDate>
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&lt;p&gt;&lt;em&gt;Struttin’&lt;/em&gt; is saxophone player Ayumi Koketsu’s jazz quartet album released in Japan in 2010. This is her debut album, the first of over a dozen killer jazz albums that she has been releasing through the years, each filled with material ranging from straight-ahead, cool jazz, hard bop, ballads, bossa nova, and other themes. This first album features Koketsu on alto sax with her quartet of Yoshihiko Naya on piano, Masayuki Tawarayama on bass, and Mark Taylor on drums.&lt;/p&gt;</description>
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      <title>Makiyo Sakai: Silver Painting</title>
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      <pubDate>Fri, 01 Nov 2024 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;For many people, classical music can be very relaxing, a soothing balm at certain times, or in uncertain times. Some jazz music is regarded in the same way, and there is even &lt;em&gt;smooth jazz&lt;/em&gt;, after all.&lt;/p&gt;
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&lt;p&gt;What about both classical and jazz, together? &lt;em&gt;Classical jazz&lt;/em&gt;, or &lt;em&gt;jazz classical&lt;/em&gt;? Jazz-classical crossovers, fusion, or merges? (&lt;em&gt;Pianist Ethan Iverson recently shared an engaging article on the “&lt;a href=&#34;https://thevault.musicarts.com/jazz-brain-classical-brain-a-survey/&#34;&gt;Jazz Brain/Classical Brain&lt;/a&gt;” divide, which aligned serendipitously with what I had been thinking about this week.&lt;/em&gt;)&lt;/p&gt;</description>
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