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    <title>金森もとい on Jazz of Japan | Brian McCrory</title>
    <link>https://mirror2.jazzofjapan.com/tags/%E9%87%91%E6%A3%AE%E3%82%82%E3%81%A8%E3%81%84/</link>
    <description>Recent content in 金森もとい on Jazz of Japan | Brian McCrory</description>
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      <title>Kanoko Kitajima: Long Way to Go</title>
      <link>https://mirror2.jazzofjapan.com/kanoko-kitajima-long-way-to-go/</link>
      <pubDate>Sat, 10 May 2025 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;&lt;em&gt;Long Way to Go&lt;/em&gt; is the title of pianist Kanoko Kitajima’s debut album, recorded and released in 2019. The sound of her piano trio recalls the swinging, bluesy trios of pianists like Wynton Kelly, Red Garland, and others from the 1950s and 60s Blue Note era. Added to that rich background is a dedicated Japanese interpretation of classic American jazz with an exciting New York City vibe as shown in the album cover.&lt;/p&gt;</description>
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      <title>Motoi Kanamori: The Live</title>
      <link>https://mirror2.jazzofjapan.com/motoi-kanamori-the-live/</link>
      <pubDate>Sat, 25 Jan 2025 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;Bassist Motoi Kanamori released his third album &lt;em&gt;The Live&lt;/em&gt; in 2023. This is a double CD album with a title that aptly reflects the energy of his group captured in a live concert recording. The two discs are divided between one set from his trio (with pianist Hiroyuki Takubo and drummer Akira Yamada) playing rearranged versions of classic jazz standards, and a second set from his trio with strings, featuring a four-piece string section of two violins, one viola, and one cello.&lt;/p&gt;</description>
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      <title>Keisuke Nakamura: Humadope 2</title>
      <link>https://mirror2.jazzofjapan.com/keisuke-nakamura-humadope-2/</link>
      <pubDate>Fri, 19 Jan 2024 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/keisuke-nakamura-humadope-2/</guid>
      <description>&lt;p&gt;&lt;em&gt;Humadope 2&lt;/em&gt; from trumpeter Keisuke Nakamura features his quintet playing modern jazz originals with unsupressible energy. With a slightly different lineup as on his debut album &lt;em&gt;&lt;a href=&#34;https://www.jazzofjapan.com/archive/keisuke-nakamura-humadope&#34;&gt;Humadope&lt;/a&gt;&lt;/em&gt; (2014), the human/mad/dope sound is the same: fresh and boiling, jazzy and nonstop.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1230462x-1024.jpeg&#34;&gt;
    &lt;img loading=&#34;lazy&#34; src=&#34;L1230462x-1024.jpeg&#34;/&gt; &lt;/a&gt;
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&lt;p&gt;No doubt Nakamura’s vision extends through the material, from the steampunk-ish cover to the song titles that describe a fantastical, searching aesthetic. And, of course, this influence carries through to the music, artfully composed with originality and serving as a beautiful post-bop platform for each musician’s improvisation.&lt;/p&gt;</description>
    </item>
    <item>
      <title>Seiji Harakawa Quartet: Skipping Down the Street</title>
      <link>https://mirror2.jazzofjapan.com/seiji-harakawa-quartet-skipping-down-the-street/</link>
      <pubDate>Fri, 14 Jul 2023 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/seiji-harakawa-quartet-skipping-down-the-street/</guid>
      <description>&lt;p&gt;Phrases like good honest work and good clean fun convey the simple and satisfying rewards that result from high levels of skill, effort, and enjoyment. Good honest music is a simple but to-the-point description of saxophonist Seiji Harakawa’s debut album &lt;em&gt;Skipping Down the Street&lt;/em&gt;, an excellent showcase for the agile alto sax leader and rhythm section to project their skill, effort, and enjoyment of jazz.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1240030x-1024.jpeg&#34;&gt;
    &lt;img loading=&#34;lazy&#34; src=&#34;L1240030x-1024.jpeg&#34;/&gt; &lt;/a&gt;
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&lt;p&gt;The full group listed on the record, “Seiji Harakawa Quartet featuring Fukushi Tainaka” also emphasizes the importance of drums and groove on this album, and honors Harakawa’s experience playing living legend drummer Tainaka in New York for half a decade before Harakawa returned to Japan.&lt;/p&gt;</description>
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      <title>Shunichi Yanagi Trio: Slope</title>
      <link>https://mirror2.jazzofjapan.com/shunichi-yanagi-trio-slope/</link>
      <pubDate>Sat, 20 May 2023 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/shunichi-yanagi-trio-slope/</guid>
      <description>&lt;p&gt;Jazz pianist Shunichi Yanagi’s &lt;em&gt;Slope&lt;/em&gt; is his second trio release, a 2015 followup to his 2012 debut &lt;em&gt;&lt;a href=&#34;https://www.jazzofjapan.com/archive/shunichi-yanagi-trio-bubble-fish&#34;&gt;Bubble Fish&lt;/a&gt;&lt;/em&gt;. The trio explores fresh territory in the jazz, rock, and light groove moods which vary from track to track. Each member has a clean touch with a sense of drama in creating excitement, somewhat like a movie or video game soundtrack at times.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1220795-2-1024.jpeg&#34;&gt;
    &lt;img loading=&#34;lazy&#34; src=&#34;L1220795-2-1024.jpeg&#34;/&gt; &lt;/a&gt;
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&lt;p&gt;The opening notes of &lt;em&gt;Slope&lt;/em&gt; establish a delicate frame that quickly moves into a modern rock-styled beat, showcasing how this trio tends to move between jazz pop, rock, and light-as-a-bubble tenderness. Leading the trio as the primary composer, Yanagi orchestrates a progressive style, and his own playing is decorated with repeated arpeggios and densely looped patterns packed together like a woven carpet.&lt;/p&gt;</description>
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      <title>Motoi Kanamori: My Soul Meeting</title>
      <link>https://mirror2.jazzofjapan.com/motoi-kanamori-my-soul-meeting/</link>
      <pubDate>Fri, 24 Apr 2020 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/motoi-kanamori-my-soul-meeting/</guid>
      <description>&lt;p&gt;Jazz bassist Motoi Kanamori’s &lt;em&gt;My Soul Meeting&lt;/em&gt; from 2018 is his album debut as leader, where his jazz group rips and swings through eight tracks of modern piano trio jazz. With a polished, fun touch, the group delivers mid- and up-tempo jazz with propulsive grooves, expressive auras, and well-timed hits. His piano trio is joined by alto and tenor sax on two tracks as well, amping up the energy with edginess and texture.&lt;/p&gt;</description>
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      <title>Shunichi Yanagi Trio: Bubble Fish</title>
      <link>https://mirror2.jazzofjapan.com/shunichi-yanagi-trio-bubble-fish/</link>
      <pubDate>Tue, 17 Mar 2020 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/shunichi-yanagi-trio-bubble-fish/</guid>
      <description>&lt;p&gt;Jazz pianist Shunichi Yanagi releases a shimmering modern jazz recording with his Tokyo trio on his 2012 debut &lt;em&gt;Bubble Fish&lt;/em&gt;. The ten original songs from the pianist incorporate rock edginess and hip coolness into piano jazz with attitude. Modern jazz trios like E.S.T. or The Bad Plus may have been influences to the trio’s kaleidoscopic sound, pushing traditional jazz boundaries with youthful freshness.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1220276-1024.jpg&#34;&gt;
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&lt;p&gt;On &lt;em&gt;Bubble Fish&lt;/em&gt;, the jazz trio uses full chords and vital grooves on their compositions, bubbling with rock and pop styles infused with jazz improvisation. Yanagi’s angular patterns run up and down the piano keys with an almost electric guitar mindset. Yet, the pianist also shows a light tenderness where soft melodies rise lightly to the surface with positive energy, particularly on album highlights such as the “Shibuya Crossing” and “Prayer”, which closes the album with calming peace.&lt;/p&gt;</description>
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      <title>Keisuke Nakamura: Humadope</title>
      <link>https://mirror2.jazzofjapan.com/keisuke-nakamura-humadope/</link>
      <pubDate>Mon, 12 Feb 2018 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/keisuke-nakamura-humadope/</guid>
      <description>&lt;p&gt;Trumpeter Keisuke Nakamura leads a group of contemporary jazz musicians called &lt;em&gt;Humadope&lt;/em&gt;, a post-bop Jazz Messengers-styled quintet with a trumpet-sax front line and piano-bass-drums rhythm section. The name itself (a mix of human/mad/dope) suggests a dangerous edge on blisteringly fast tunes as the skilled soloists riotously burn through the changes. Yet, the group handily balances this attitude with a warm sensitivity played on soulful ballads and cooler numbers.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1180587-1024.jpg&#34;&gt;
    &lt;img loading=&#34;lazy&#34; src=&#34;L1180587-1024.jpg&#34;/&gt; &lt;/a&gt;
&lt;/figure&gt;

&lt;p&gt;This album consists of well-written original compositions with a few covers thrown in (Freddie Hubbard, Herbie Hancock, Quincy Jones). Overall, this is an excellent debut with a variety of moods, tempos, and exciting solos showcasing some premium J Jazz from the current crop of musicians.&lt;/p&gt;</description>
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