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    <title>鈴木孝紀 on Jazz of Japan | Brian McCrory</title>
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      <title>Hitomi Nishiyama: Echo</title>
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      <description>&lt;p&gt;&lt;em&gt;Echo&lt;/em&gt;, from 2024, is pianist/composer Hitomi Nishiyama’s latest album and a response to her previous release &lt;em&gt;&lt;a href=&#34;https://www.jazzofjapan.com/archive/hitomi-nishiyama-dot&#34;&gt;Dot&lt;/a&gt;&lt;/em&gt; from 2023. The music on this album was made with the same group and during the same recording sessions and as such, there are many similarities in sound and direction. In aura and conceptually, however, the differences are effectively portrayed by the separate covers and designs: Where &lt;em&gt;Dot&lt;/em&gt; shows a monochrome sketch-like grid of hand-drawn dots, &lt;em&gt;Echo&lt;/em&gt; places the pianists’ subtly Mona Lisa smile into a vividly abstract gauze of lilac and cobalt swirls and hues.&lt;/p&gt;</description>
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      <title>Hitomi Nishiyama: Dot</title>
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      <pubDate>Fri, 04 Oct 2024 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;&lt;em&gt;Dot&lt;/em&gt; is the 2023 album by pianist/composer Hitomi Nishiyama. Until this week’s release of &lt;em&gt;Echo&lt;/em&gt;, &lt;em&gt;Dot&lt;/em&gt; was her latest album; &lt;em&gt;Echo&lt;/em&gt; is &lt;em&gt;Dot&lt;/em&gt; ’s twin, recorded with the same members and during the same sessions.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1250301x-1200.jpeg&#34;&gt;
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&lt;p&gt;Nishiyama has released many great albums since 2004, and yet it is tempting to call this significant &lt;em&gt;Dot&lt;/em&gt; her masterpiece. As a prolific composer with consistent album releases over two decades, many peaks have been reached. &lt;em&gt;Dot&lt;/em&gt; forges into some bold new territory, and successfully so.&lt;/p&gt;</description>
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