<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>Hiroki Chiba on Jazz of Japan | Brian McCrory</title>
    <link>https://mirror2.jazzofjapan.com/tags/hiroki-chiba/</link>
    <description>Recent content in Hiroki Chiba on Jazz of Japan | Brian McCrory</description>
    <generator>Hugo</generator>
    <language>en</language>
    <lastBuildDate>Sun, 22 Oct 2023 00:00:00 +0000</lastBuildDate>
    <atom:link href="https://mirror2.jazzofjapan.com/tags/hiroki-chiba/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>Rabbitoo: The Torch</title>
      <link>https://mirror2.jazzofjapan.com/rabbitoo-the-torch/</link>
      <pubDate>Sun, 22 Oct 2023 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/rabbitoo-the-torch/</guid>
      <description>&lt;p&gt;Opening with a single-tone drone, electronic jazz music group Rabbitoo continues their retro-futuristic sound on their second album /The Torch /from 2016.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1230323x-1024.jpeg&#34;&gt;
    &lt;img loading=&#34;lazy&#34; src=&#34;L1230323x-1024.jpeg&#34;/&gt; &lt;/a&gt;
&lt;/figure&gt;

&lt;p&gt;Digital and analog sounds swirl and mix through Motohiko Ichino’s guitar, laden with textural effects and deploying modern music and rhythms alongside carefully tuned sound and static in an audiophile’s frame. This is vibe-setting music that wouldn’t be out of place in a fan playlist of lofi study beats or on the edges of a digital-future jazz collection.&lt;/p&gt;</description>
    </item>
    <item>
      <title>Rabbitoo: National Anthem of Unknown Country</title>
      <link>https://mirror2.jazzofjapan.com/rabbitoo-national-anthem-of-unknown-country/</link>
      <pubDate>Sun, 26 Jan 2020 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/rabbitoo-national-anthem-of-unknown-country/</guid>
      <description>&lt;p&gt;The textured sound of Rabbitoo makes a lasting first impression on their debut album &lt;em&gt;National Anthem of Unknown Country&lt;/em&gt; from 2014, a fusion of jazz, rock, and electronica influences.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1220801-1024.jpg&#34;&gt;
    &lt;img loading=&#34;lazy&#34; src=&#34;L1220801-1024.jpg&#34;/&gt; &lt;/a&gt;
&lt;/figure&gt;

&lt;p&gt;The five-piece group led by guitarist and primary songwriter Motohiko Ichino produces otherworldly atmospheres with loops of sound and cascading sheets of melody set against precise rock and dance-inspired beats. The instruments riff and interlace, fitting together like puzzle pieces at times, an intense chorus at others, while swirling over underlying rhythmic grids for a dusky, spacey, trance-like aura.&lt;/p&gt;</description>
    </item>
    <item>
      <title>Koichi Sato: Melancholy of a Journey</title>
      <link>https://mirror2.jazzofjapan.com/koichi-sato-melancholy-of-a-journey/</link>
      <pubDate>Tue, 20 Feb 2018 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/koichi-sato-melancholy-of-a-journey/</guid>
      <description>&lt;p&gt;Pianist and composer Koichi Sato’s 2016 release &lt;em&gt;Melancholy of a Journey&lt;/em&gt; features a distinctive jazz sextet: a piano trio adding clarinet and guitar for modern groundedness and cello providing graceful maturity.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1180495-1024.jpg&#34;&gt;
    &lt;img loading=&#34;lazy&#34; src=&#34;L1180495-1024.jpg&#34;/&gt; &lt;/a&gt;
&lt;/figure&gt;

&lt;p&gt;Sato conceived the main theme while traveling in Norway and viewing a certain painting. The work of art, Art Rolfsen’s “The Big Station”, graces the cover and inspired “The Railway Station”, a four-part suite arranged over four tracks. This music emerges and recedes through tracks #1, 6, 9, and 12, resulting in four distinct songs with common echoes.&lt;/p&gt;</description>
    </item>
  </channel>
</rss>
