Mamoru Ishida

Introducing Koichi Hirata is the 2024 debut release from jazz guitarist Koichi Hirata. Hirata is a young, up-and-coming player who has established himself as a popular musician in the live Tokyo circuit, playing live often as a support musician or a leader at his own gigs and popular jazz jam sessions. His style is unadorned with a comfortably warm sound and style that immediately brings to mind the much-admired jazz guitarists of previous generations. ...

Beyond the Sea is saxophonist Miyuki Moriya’s fourth album as a leader, which she released in 2024 with her regular quartet of Mamoru Ishida (piano), Junichi Sato (bass), and Sohnosuke Imaizumi (drums). This album contains nine tracks over sixty-eight minutes and features mostly originals from the saxophonist, with two specially selected cover songs from Japanese jazz musicians that influenced her most in her jazz life. One of those personal heroes is saxophonist Kosuke Mine, who joins the group as a special guest and adds his engagingly vibrant tenor sax sound on five of the nine tracks. Those include two of the album’s peaks for excitement (the edge-of-your-seat #2 “Flip a Coin” and the funkily thrillseeking #5 “Maverick”) as well as Mine’s introspective ballad #7 “After the Checkout” where the two saxes converse over melancholy piano chords to set a dramatic scene. ...

Drummer Hiro Kimura’s debut album from 2022 is Trees, a 61-minute modern jazz album recorded with two of his regular rhythm sections. The album was recorded over two days in the studio, the first with Naoko Tanaka on piano and Yuji Ito on bass, and the second with Mamoru Ishida on piano and Keisuke Furuki on bass. Joining Kimura’s rhythm sections are the front-line members consisting of three horn players who alternate and unite on different tracks. Alto and soprano saxes are played by Akiha Nishiyama and Kohei Ando, and trumpet by Mao Sone, who also switches to piano and Fender Rhodes for two songs. ...

Afterglow is the latest recording from pianist Mamoru Ishida, released in 2023 and recorded in 2022 with his trio featuring Ryohei Komaki on bass and Kaito Nakamura on drums. The sixty-four minute, ten-track album is filled with his original compositions and is his first leader album in twelve years, although he’s stayed active with live shows and other recording sessions throughout. Days of Delight, the new Japanese record label, set the direction of having a trio format with Ishida’s originals and describes the situation glowingly in the liner notes. ...

Jazz singer MIWO’s first album is entitled Tranquillo from 2020. This fifty-one-minute album delivers a sincere and straightforward set of twelve jazz standards perfectly suited to the leader’s modestly beautiful voice. Tranquillo was produced by mentor Hiroko Williams, a well-known jazz singer in her own right, and the result is an album with an authentic approach to vocal-focused jazz albums. While some decorative intros, endings, and arrangements are subtly attached, the performances follow the original music closely to respectfully elevate the original compositions and allow the immediately felt vocals to shine. ...

Saxophonist and composer Nami Kano has just released a long-awaited album mawsim with her group of the same name today in Japan. Nami Kano’s name may be familiar as part of Jabuticaba from last week’s article, another compelling side of her creative musical personality. This five-song, 39-minute album has resulted from the accumulated experience as Nami Kano’s quartet, playing creative jazz and original music together for years around Japan. As a unit, they’ve performed their own great compositions and arrangements of music from innovative musicians like Keith Jarrett, Jaco Pastorius, and Carla Bley. Kano recently adopted the mawsim moniker for her group and album name, as their vision locked into a comfortable and multi-layered repertoire. ...

Pianist Mamoru Ishida’s second album is titled /Ishida Mamoru 4 feat. Mike Rivett /and was released in 2011. With nine tracks over fifty-two minutes, the album presents a mix of covers, standards, and original compositions. The warm ballad “These Foolish Things” invites listeners in comfortably with a nostalgic calm, introducing a graceful jazz combo that respects traditional forms and songs loved by jazz fans. The music as a whole expresses this vintage, sincere jazz feeling generated by the players’ sensitivity as well as through the recording methods and equipment used. While this can seem to be something of a jazz throwback album (meant in a good way, a sound that can be set comfortably alongside favored music of the past greats), there are also several aspects of modern, assertive jazz making appearances as well… not to mention the Japanese and international context also layered in, described well in the excellent and extensive liner notes. ...

Fumika Asari’s first album is Introducin’ from 2020, a satisfying debut with a mix of players, combinations, and a to-the-point title with a respectful nod to classic jazz album titles. The beautiful sound of acoustic jazz matches well with the young guitarist’s natural style and concept, jazz that shuns attention-seeking tricks and lofty effects in favor of a genuine, pared-down jazz feeling. From song to song, the combination of musicians and styles changes, shuffling between quartets, trios, and duos. Throughout, relaxed easiness and vintage swing arise from classy ensemble playing and spotlit guitar improvisation. As for the changing combos, a guitar quartet is featured on track #1 (guitar, piano, bass, drums), then a trio on #2 (guitar, bass, drums), a guitar & guitar duo, a quartet, a trio, a guitar & piano duo, a quartet (guitar, alto sax, trombone, bass), a sextet, and finally a guitar solo. This variation of players and combinations of instruments keeps things interesting while introducing Asari’s musical vision for her debut release. ...

Miyuki Moriya’s Cat’s Cradle from 2010 is modern jazz album from an alto sax quartet featuring engaging sounds and improvisation from exciting musicians. The allure of this album is deepened by the sax leader’s catchy originals, and listeners who are stimulated by angular jazz will be pulled into this music and want to return to these songs again and again. Also distinguishing the sound is the edgy, metallic sound of the alto sax and the funky, crystalline drumming, with stylish planes of piano and guitar and gliding over the deeply full bass lines. Drummer Sohnosuke draws attention with a concentrated hip-hop energy driving the odd-meter songs, and, along with steady bass lines from Ikejiri, keeps the listener anchored even through unusual rhythms beyond standard swing patterns (see Sohnosuke’s Rin (2018) for similar sounds.) ...

Similar in concept to Ray Brown’s Some Of My Best Friends Are… album series in which the legendary bassist plays with assorted partners in jazz, bassist Daiki Yasukagawa’s release Trios II from 2015 features the bassist performing with four different trios assembled from multiple pianists and drummers. A followup to Yasukagawa’s Trios (2010), Trios II brings even more musicians into the recording studio and offers up a new album with the various trios performing 11 songs. ...

Drummer Ko Omura leads the listener on his voyage of introspection on his debut album Introspect, portraying the colors and maps of his musical mind. This 2011 recording features eight tracks: six original songs from Omura in his detailed, catchy style, unfolding story-like with depth and groovy accuracy. The music brims with fiery energy, passionate yet also containing also a smoldering, somber melancholy. Two of the tracks are group-created free jazz collaborations, splashes of color adding mystery and adventure. The recorded audio is also done beautifully, with separation of drums and cymbals gracefully captured with a lush live sound. ...

Trumpeter Keisuke Nakamura leads a group of contemporary jazz musicians called Humadope, a post-bop Jazz Messengers-styled quintet with a trumpet-sax front line and piano-bass-drums rhythm section. The name itself (a mix of human/mad/dope) suggests a dangerous edge on blisteringly fast tunes as the skilled soloists riotously burn through the changes. Yet, the group handily balances this attitude with a warm sensitivity played on soulful ballads and cooler numbers. This album consists of well-written original compositions with a few covers thrown in (Freddie Hubbard, Herbie Hancock, Quincy Jones). Overall, this is an excellent debut with a variety of moods, tempos, and exciting solos showcasing some premium J Jazz from the current crop of musicians. ...