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    <title>Ryo Noritake on Jazz of Japan | Brian McCrory</title>
    <link>https://mirror2.jazzofjapan.com/tags/ryo-noritake/</link>
    <description>Recent content in Ryo Noritake on Jazz of Japan | Brian McCrory</description>
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      <title>Hitomi Nishiyama: Echo</title>
      <link>https://mirror2.jazzofjapan.com/hitomi-nishiyama-echo/</link>
      <pubDate>Sun, 23 Mar 2025 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/hitomi-nishiyama-echo/</guid>
      <description>&lt;p&gt;&lt;em&gt;Echo&lt;/em&gt;, from 2024, is pianist/composer Hitomi Nishiyama’s latest album and a response to her previous release &lt;em&gt;&lt;a href=&#34;https://www.jazzofjapan.com/archive/hitomi-nishiyama-dot&#34;&gt;Dot&lt;/a&gt;&lt;/em&gt; from 2023. The music on this album was made with the same group and during the same recording sessions and as such, there are many similarities in sound and direction. In aura and conceptually, however, the differences are effectively portrayed by the separate covers and designs: Where &lt;em&gt;Dot&lt;/em&gt; shows a monochrome sketch-like grid of hand-drawn dots, &lt;em&gt;Echo&lt;/em&gt; places the pianists’ subtly Mona Lisa smile into a vividly abstract gauze of lilac and cobalt swirls and hues.&lt;/p&gt;</description>
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    <item>
      <title>Yuka Yanagihara Trio: Beloved Ones</title>
      <link>https://mirror2.jazzofjapan.com/yuka-yanagihara-trio-beloved-ones/</link>
      <pubDate>Sat, 23 Nov 2024 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/yuka-yanagihara-trio-beloved-ones/</guid>
      <description>&lt;p&gt;Like pianist Yuka Yanagihara’s previous album &lt;em&gt;Inner Views&lt;/em&gt; from 2019, her songs on this year’s release &lt;em&gt;Beloved Ones&lt;/em&gt; are also focused on both external vistas and inner reflections. It is as if the inner-outer boundary is balanced, permeable, and transferring the trio’s music and inspiration from in to out and back again, fluidly.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1250523x-1200.jpeg&#34;&gt;
    &lt;img loading=&#34;lazy&#34; src=&#34;L1250523x-1200.jpeg&#34;/&gt; &lt;/a&gt;
&lt;/figure&gt;

&lt;p&gt;From the previous album to this one, the imagery shifts from close (raindrops on a window) to far, with natural scenery in theme for both. A second link to her previous album is found in a track on the &lt;em&gt;Beloved Ones&lt;/em&gt;, “Rainy Song #3 In Winter”. This song continues the story started in the opening two tracks on &lt;em&gt;Inner Views&lt;/em&gt;, “Rainy Song 1: At Midnight” and “Rainy Song 2: In the Forest”. Comparing the two album covers and the pieces’ progression, the rain has stopped and the eye’s focus has extended further into the world, onto meadows, trees, and mountains.&lt;/p&gt;</description>
    </item>
    <item>
      <title>Hitomi Nishiyama: Dot</title>
      <link>https://mirror2.jazzofjapan.com/hitomi-nishiyama-dot/</link>
      <pubDate>Fri, 04 Oct 2024 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/hitomi-nishiyama-dot/</guid>
      <description>&lt;p&gt;&lt;em&gt;Dot&lt;/em&gt; is the 2023 album by pianist/composer Hitomi Nishiyama. Until this week’s release of &lt;em&gt;Echo&lt;/em&gt;, &lt;em&gt;Dot&lt;/em&gt; was her latest album; &lt;em&gt;Echo&lt;/em&gt; is &lt;em&gt;Dot&lt;/em&gt; ’s twin, recorded with the same members and during the same sessions.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1250301x-1200.jpeg&#34;&gt;
    &lt;img loading=&#34;lazy&#34; src=&#34;L1250301x-1200.jpeg&#34;/&gt; &lt;/a&gt;
&lt;/figure&gt;

&lt;p&gt;Nishiyama has released many great albums since 2004, and yet it is tempting to call this significant &lt;em&gt;Dot&lt;/em&gt; her masterpiece. As a prolific composer with consistent album releases over two decades, many peaks have been reached. &lt;em&gt;Dot&lt;/em&gt; forges into some bold new territory, and successfully so.&lt;/p&gt;</description>
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    <item>
      <title>Hiroshi Fukutomi: Memory Stones</title>
      <link>https://mirror2.jazzofjapan.com/hiroshi-fukutomi-memory-stones/</link>
      <pubDate>Fri, 09 Feb 2024 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/hiroshi-fukutomi-memory-stones/</guid>
      <description>&lt;p&gt;&lt;em&gt;Memory Stones&lt;/em&gt; is the 2014 album from guitarist Hiroshi Fukutomi, his second album after his debut &lt;em&gt;Rings of Saturn&lt;/em&gt; (2010). On this 57-minute recording of Fukutomi’s original music, the guitarist leads a quartet featuring Koichi Sato on piano and Rhodes, Koji Yasuda on bass, and Ryo Noritake on drums.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1230475x-1024.jpeg&#34;&gt;
    &lt;img loading=&#34;lazy&#34; src=&#34;L1230475x-1024.jpeg&#34;/&gt; &lt;/a&gt;
&lt;/figure&gt;

&lt;p&gt;With Fukutomi’s compositions and his guitar taking center stage, the quartet’s sound is definitely that of a jazz guitar leader’s band. The sound of the jazz guitar is varied, however, and his tone switches between mellow and fluid electric guitar sound to clear and articulate acoustic guitar, coloring the compositions with distinct personalities to suit the song style. Some guitar effects are also used tastefully to add textural layers while preserving the core sound of pure guitar expressiveness.&lt;/p&gt;</description>
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      <title>Yuka Yanagihara Trio: Inner Views</title>
      <link>https://mirror2.jazzofjapan.com/yuka-yanagihara-trio-inner-views/</link>
      <pubDate>Fri, 12 Jan 2024 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/yuka-yanagihara-trio-inner-views/</guid>
      <description>&lt;p&gt;Pianist Yuka Yanagihara’s second piano trio album is &lt;em&gt;Inner Views&lt;/em&gt; from 2019, where she plays eight of her original songs in a piano trio format with bassist Yoshiki Yamada and drummer Ryo Noritake. In harmony with the album’s title and cover image, the music is on the whole introspective, focused on the near rather than the far. As Yanagihara puts it herself, these are eight songs that focus on the landscape of one’s mind.&lt;/p&gt;</description>
    </item>
    <item>
      <title>Daiki Yasukagawa Trio: Trios II</title>
      <link>https://mirror2.jazzofjapan.com/daiki-yasukagawa-trio-trios-ii/</link>
      <pubDate>Mon, 10 Feb 2020 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/daiki-yasukagawa-trio-trios-ii/</guid>
      <description>&lt;p&gt;Similar in concept to Ray Brown’s &lt;em&gt;Some Of My Best Friends Are…&lt;/em&gt; album series in which the legendary bassist plays with assorted partners in jazz, bassist Daiki Yasukagawa’s release &lt;em&gt;Trios II&lt;/em&gt; from 2015 features the bassist performing with four different trios assembled from multiple pianists and drummers. A followup to Yasukagawa’s &lt;em&gt;Trios&lt;/em&gt; (2010), &lt;em&gt;Trios II&lt;/em&gt; brings even more musicians into the recording studio and offers up a new album with the various trios performing 11 songs.&lt;/p&gt;</description>
    </item>
    <item>
      <title>Taihei Asakawa Trio: Touch of Winter</title>
      <link>https://mirror2.jazzofjapan.com/taihei-asakawa-trio-touch-of-winter/</link>
      <pubDate>Mon, 01 Oct 2018 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/taihei-asakawa-trio-touch-of-winter/</guid>
      <description>&lt;p&gt;Taihei Asakawa’s beautiful &lt;em&gt;Touch of Winter&lt;/em&gt; from 2013 is a contemplative jazz album rooted in calm emotion: Memory, melancholy, and rebirth combine to paint stimulating music on a pure white winter tableau.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1200282-1024.jpg&#34;&gt;
    &lt;img loading=&#34;lazy&#34; src=&#34;L1200282-1024.jpg&#34;/&gt; &lt;/a&gt;
&lt;/figure&gt;

&lt;p&gt;The 10 original songs on this album unfold in the emotion-heavy Brad Mehldau vein of modern piano trio jazz. Patient, somber ballads lie alongside straight-ahead compositions thick with melodic effusions, traces of classical influence, and bluesy suggestions as well.&lt;/p&gt;</description>
    </item>
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      <title>Koichi Sato: Melancholy of a Journey</title>
      <link>https://mirror2.jazzofjapan.com/koichi-sato-melancholy-of-a-journey/</link>
      <pubDate>Tue, 20 Feb 2018 00:00:00 +0000</pubDate>
      <guid>https://mirror2.jazzofjapan.com/koichi-sato-melancholy-of-a-journey/</guid>
      <description>&lt;p&gt;Pianist and composer Koichi Sato’s 2016 release &lt;em&gt;Melancholy of a Journey&lt;/em&gt; features a distinctive jazz sextet: a piano trio adding clarinet and guitar for modern groundedness and cello providing graceful maturity.&lt;/p&gt;
&lt;figure&gt;&lt;a href=&#34;L1180495-1024.jpg&#34;&gt;
    &lt;img loading=&#34;lazy&#34; src=&#34;L1180495-1024.jpg&#34;/&gt; &lt;/a&gt;
&lt;/figure&gt;

&lt;p&gt;Sato conceived the main theme while traveling in Norway and viewing a certain painting. The work of art, Art Rolfsen’s “The Big Station”, graces the cover and inspired “The Railway Station”, a four-part suite arranged over four tracks. This music emerges and recedes through tracks #1, 6, 9, and 12, resulting in four distinct songs with common echoes.&lt;/p&gt;</description>
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