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    <title>Shun Ishiwaka on Jazz of Japan | Brian McCrory</title>
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      <title>Akihiro Yoshimoto Quartet: Blending Tone</title>
      <link>https://mirror2.jazzofjapan.com/akihiro-yoshimoto-quartet-blending-tone/</link>
      <pubDate>Sun, 15 Mar 2026 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;The jazz album &lt;em&gt;Blending Tone&lt;/em&gt; is the 2012 debut release from the Tokyo-based Akihiro Yoshimoto Quartet. Saxophone player and leader Yoshimoto recorded this with a tightly bound group of musicians including Aaron Choulai on piano, Takuya Sakazaki on bass, and Shun Ishiwaka on drums, working together to blend their tones while staying on top of Yoshimoto’s music.&lt;/p&gt;
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&lt;p&gt;The CD version of this album includes ten tracks running at 54 minutes of mostly original music from Yoshimoto. The popular jazz standard “Body and Soul” is the sole cover tune, played as duo of piano and sax as a gentle closing.&lt;/p&gt;</description>
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      <title>Eri Chichibu: Crossing Reality</title>
      <link>https://mirror2.jazzofjapan.com/eri-chichibu-crossing-reality/</link>
      <pubDate>Fri, 09 Aug 2024 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;Pianist and composer Eri Chichibu released her debut album &lt;em&gt;Crossing Reality&lt;/em&gt; in 2022. On it, she includes eight of her fine-tuned compositions for combos ranging from duos and trios to five-, seven-, eight-, and nine-member ensembles.&lt;/p&gt;
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&lt;p&gt;The sound of Chichibu’s music fascinates with creative arrangements of harmonized horn lines, suspenseful rhythms, and multi-part musical sections. As the liner notes indicate, her songs shine with personality inspired by concepts and ideas that move her.&lt;/p&gt;</description>
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      <title>Nanami Haruta: II</title>
      <link>https://mirror2.jazzofjapan.com/nanami-haruta-ii/</link>
      <pubDate>Mon, 27 Nov 2023 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;Trombonist Nanami Haruta’s debut release &lt;em&gt;II&lt;/em&gt; from 2022 is another great example of new jazz albums from new players that keep flowing to the hands and ears of eager fans. Haruta, a young player who has been making an impact in the Japanese jazz scene, has been frequently featured as both leader and guest member at various live shows. In addition to this debut, she has also participated in other recent recordings such as &lt;em&gt;&lt;a href=&#34;https://www.jazzofjapan.com/archive/akihiro-yoshimoto-quartet-64-charlesgate&#34;&gt;64 Charlesgate&lt;/a&gt;&lt;/em&gt; (2022) and &lt;em&gt;&lt;a href=&#34;https://www.jazzofjapan.com/archive/akane-matsumoto-nanami-haruta-for&#34;&gt;For My Lady&lt;/a&gt;&lt;/em&gt; (2023).&lt;/p&gt;</description>
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      <title>Akihiro Yoshimoto Quartet: Moving Color</title>
      <link>https://mirror2.jazzofjapan.com/akihiro-yoshimoto-quartet-moving-color/</link>
      <pubDate>Sat, 18 Aug 2018 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;&lt;em&gt;Moving Color&lt;/em&gt; is the second album from saxophonist Akihiro Yoshimoto and his quartet. With eight original songs drawn from his palette, he blends serious musical exploration and improvisation with elements of modernity, jazz tradition, and a bit of humor. Strength in composition and group cohesion is clear: the quartet plays confidently, as if they are disclosing a secret bit by bit, modestly exhibiting their skills yet playing with brimming energy and a locked-together sense of where they are going.&lt;/p&gt;</description>
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      <title>Sachiko Ikuta Trio: Haru No Kaze</title>
      <link>https://mirror2.jazzofjapan.com/sachiko-ikuta-trio-haru-no-kaze/</link>
      <pubDate>Sun, 04 Mar 2018 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;A jazz pianist who balances lyricism with boldness, Sachiko Ikuta leads a piano trio on &lt;em&gt;Haru No Kaze (Spring Wind)&lt;/em&gt; from 2012. Legendary jazz trumpeter Terumasa Hino also joins on two songs, adding an adventurous splash of avant-garde improvisation to the album.&lt;/p&gt;
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&lt;p&gt;Starting with the title track “Haru No Kaze”, the sense of an overture is felt through the light Japanese touches of a sweet melody which turns into the whirling winds of a solid jazz piano trio locking into a tune together. The next track, “Last Tango In Paris”, introduces a mood of evocative drama and intrigue with a relaxed beat.&lt;/p&gt;</description>
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      <title>Keisuke Nakamura: Humadope</title>
      <link>https://mirror2.jazzofjapan.com/keisuke-nakamura-humadope/</link>
      <pubDate>Mon, 12 Feb 2018 00:00:00 +0000</pubDate>
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      <description>&lt;p&gt;Trumpeter Keisuke Nakamura leads a group of contemporary jazz musicians called &lt;em&gt;Humadope&lt;/em&gt;, a post-bop Jazz Messengers-styled quintet with a trumpet-sax front line and piano-bass-drums rhythm section. The name itself (a mix of human/mad/dope) suggests a dangerous edge on blisteringly fast tunes as the skilled soloists riotously burn through the changes. Yet, the group handily balances this attitude with a warm sensitivity played on soulful ballads and cooler numbers.&lt;/p&gt;
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&lt;p&gt;This album consists of well-written original compositions with a few covers thrown in (Freddie Hubbard, Herbie Hancock, Quincy Jones). Overall, this is an excellent debut with a variety of moods, tempos, and exciting solos showcasing some premium J Jazz from the current crop of musicians.&lt;/p&gt;</description>
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