Toru Nishijima on Jazz of Japan | Brian McCrory

Hitomi Nishiyama: Echo

Sun, 23 Mar 2025 00:00:00 +0000

Echo, from 2024, is pianist/composer Hitomi Nishiyama’s latest album and a response to her previous release Dot from 2023. The music on this album was made with the same group and during the same recording sessions and as such, there are many similarities in sound and direction. In aura and conceptually, however, the differences are effectively portrayed by the separate covers and designs: Where Dot shows a monochrome sketch-like grid of hand-drawn dots, Echo places the pianists’ subtly Mona Lisa smile into a vividly abstract gauze of lilac and cobalt swirls and hues.

Hitomi Nishiyama: Dot

Fri, 04 Oct 2024 00:00:00 +0000

Dot is the 2023 album by pianist/composer Hitomi Nishiyama. Until this week’s release of Echo, Dot was her latest album; Echo is Dot ’s twin, recorded with the same members and during the same sessions.

Nishiyama has released many great albums since 2004, and yet it is tempting to call this significant Dot her masterpiece. As a prolific composer with consistent album releases over two decades, many peaks have been reached. Dot forges into some bold new territory, and successfully so.

Kaoru Azuma / Hitomi Nishiyama: Faces

Fri, 29 Dec 2023 00:00:00 +0000

The album Faces from 2020 is the follow-up to vocalist Kaoru Azuma and pianist Hitomi Nishiyama’s first album Travels (2013). As with the earlier work, this album features mostly original compositions from the pianist that are delicately adorned with the light and airy voice of Azuma, who adds lyrics and instrument-like vocalizing to the music.

Along with Azuma and Nishiyama are the same members as before, guitarist Motohiko Ichino, saxophonist Ryosuke Hashizume, and bassist Toru Nishijima. On the tracks, the five musicians play in different combinations including a duo, trios, quartets, and the full quintet for subtle variations in sound, structure, and solo space.

Emiko Voice: Carta

Tue, 30 Jan 2018 00:00:00 +0000

An elegant package inside and out, brimming with atmosphere. The outer package is a slim booklet, containing photography, a poem, and an essay. The music itself is a modern take on classic jazz songs with Japanese words and flavor sprinkled throughout, featuring excellent arrangements by pianist Koichi Sato.

Emiko’s voice is front-and-center and spans the gamut from quick instrumentesque aerobics to passionate crooning. Vocals, piano, Fender Rhodes, and an innovative stand-up drum set constitute the core of the group, and several other instrumentalists contribute to the album, with material ranging from dreamy and moody to light and shimmering.