Fumie Chiba Trio: Echoes

Echoes is the title of the second album from the Fumie Chiba Trio, made up of pianist and composer Fumie Chiba, bassist Tetsuji Koji, and drummer Kaoru Suzuki. This forty-nine minute album from 2013 contains ten original songs from Chiba and includes eight songs played by the trio and two for solo piano. Chiba’s trio playing style is modern contemporary jazz with rock-leaning straight beats and composed bridges, interludes, and heavy vamps that all add extra flair around melodies and jazz improvisation. ...

November 9, 2025 · Brian McCrory

Hitomi Nishiyama: Astrolabe

Astrolabe is an imaginative 2012 album from pianist and composer Hitomi Nishiyama. Nishiyama created the songs and this album with two goals in mind: First, she wanted to compose a story-like suite, a long-form composition that reflected the influence of guitar-based music she listened to as a youth, especially rock and heavy metal. Second, she wanted to record and release an album in a duo format with guitarist Takayoshi Baba, who joins her on this album. ...

November 3, 2025 · Brian McCrory

Davy Mooney & Ko Omura: The Word

The Word (2025) is the second collaboration album from guitarist Davy Mooney and drummer Ko Omura. As with their previous release Benign Strangers (2018), each leader contributes five original songs to the album, interspersed in squence. The music is played by the same quintet of Mooney on guitar, Omura on drums and tabla, John Ellis on saxes and bass clarinet, Glenn Zaleski on piano, and Matt Clohesy on bass. From first track, Omura’s “Sheep Wash”, you can immediately sense the great balance of dynamic energy and relaxed sweetness. The song’s bright swing and memorable melody initially seems simple but contains the subtle complexity of unexpected turns and rhythmic shifts. These qualities are found in all the superb writing and playing from Omura and Mooney, and the songs end up being finely crafted realizations of straight singable melodies that also act as reference ground for solo improvisations. While Omura plays drums on this first track, his devoted study to Indian tabla and music seem to be ingrained in his musical thinking as well, more so when he plays tabla and picks titles from Sanskrit words and concepts. (A different version of Omura’s “Sheep Wash” can be heard on Fe: Live at Virtuoso.) ...

October 25, 2025 · Brian McCrory

Toshiki Abe Life Memory Project: The Simplicity

Saxophone player Toshiki Abe’s first album is titled The Simplicity. It was released in 2022 under the name of his band the Toshiki Abe Life Memory Project, a trio formed just one year early as a channel for Abe’s original music. This group features Abe on sax, Sayaki Kishi on organ, and Tetsunori Morinaga on drums, resulting in a funky sax/organ/drums sound that works perfectly with Abe’s soulful compositions. While Abe’s band name “Life Memory Project” sounds as if it could be a type of memorial service product that adjoins death and melancholy (the mistaken assumption I originally had), it has a completely different meaning centered around life. The concept represents his goal of capturing and directing the daily events and life changes through his music. It’s similar to how a dairy is used to record the days’ happenings, but instead of capturing the past in notes, Abe directs his music and life forward by intention through his compositions, recorded music, and live events. It’s like a forward-looking planning system specifically constructed to pay attention to the immeasurably special value of each day. ...

October 19, 2025 · Brian McCrory

Hitomi Aikawa: Sweet

Sweet is the title of percussionist Hitomi Aikawa’s debut album. It was recorded and released in Japan in 2018 and contains fourteen of her compositions. A multi-instrumentalist, Aikawa plays various instruments on the songs and is joined on many of them by special guests Masaki Hayashi and Eri Uenoyama on piano, Hiroshi Suzuki on woodwinds, and Megumi Hattori on vibraphone. As for the instruments Hitomi Aikawa is using on each track, the details are not listed on the CD or in the liner notes. However, clues can be found on her website, where a list of her percussion collection is displayed, and it can be fun to use your ear to try and figure out which instruments are producing the sounds you hear as you listen to Sweet. Her large percussion collection numbers in the dozens and ranges from mallet instruments (vibraphone, marimba, xylophone, glockenspiel), hand drums (djembe, cajón, congas, bongos, timbales), tambourines, castanets, triangle, cymbals, chimes, blocks, Afro-Latin instruments, and many others. ...

October 11, 2025 · Brian McCrory

Hiroyuki Yamaguchi Quintet: Mowna

Mowna is a 2024 album from bassist and composer Hiroyuki Yamaguchi. For this release, Yamaguchi wrote and arranged all nine tracks, which he recorded with a quintet composed of several musicians that played on his previous album Inner Perception (2018) by his Thursday Night Sextet, a band formed through jam sessions at the Tokyo jazz bar and local institution Manhattan. On Mowna, the returning members from Yamaguchi’s sextet are Hiroko Mase on soprano sax, Hinata Ishii on tenor sax, and bassist Yamaguchi, and newly added members for this release are pianist Toshihiko Kohno and drummer Tomoyuki Okabe. ...

October 4, 2025 · Brian McCrory

Takako Yamada Trio: Live at The Moment

Live at The Moment is a new album from pianist Takako Yamada’s jazz trio. The music was recorded during a live performance at The Moment in 2024 and released later that year. The Moment is a relatively new Tokyo jazz club, a polished recording studio-styled spot designed to produce and capture high-quality live audio, as was done with this album (jazz improv in the moment is a winning concept). Here, this sixty-one-minute set includes seven tracks, six jazz standards and one original song from the pianist. ...

September 13, 2025 · Brian McCrory

Sumire Kuribayashi / Kazuma Fujimoto / Takashi Sugawa: Tides of Blue

Tides of Blue is a 2025 release from the collaboration of Japanese jazz musicians Sumire Kuribayashi, Kazuma Fujimoto, and Takashi Sugawa on piano, guitar, and bass, respectively. On this album, the trio plays seven new songs, four composed by Kuribayashi and three by Fujimoto, for a total play time of 51 minutes. The album brims with brilliant acoustic music full of clear harmonies and patiently developed melodies. The music reflects abstract themes represented by words in the song titles like movement (ways, roads), water (blue, dew, tides), and belonging and comfort (home, let me). The music is not abstract, however, but pinned down with the strength of conviction and personality that each player brings to the music. Each’s player’s identity does not dissolve in the trio but combines to create a new sound that is the sum of the parts. While there is, at first brush, a seemingly slow-moving surface that may describe meditative music as with a yoga playlist or a quiet church setting, there is an undertow of jazz, pop, blues, classical, free, and folk influences throughout. (It’s may be a high bar, but as a sound reference, think of concepts like Keith Jarrett’s Koln Concert…). There is depth and nuance in the confident calm, in the ebb and flow. Quietness and patience allow for the trio’s delicate touches to be more noticable and emotionally powerful. It’s not overwhelming, not sparse, but comfortingly present, familiar, pervasive. ...

September 6, 2025 · Brian McCrory

Chihiro Yamanaka: Abyss

Abyss is a 2007 studio album from pianist Chihiro Yamanaka, recorded with bandmates Vicente Archer on bass and Kendrick Scott on drums. Like her previous albums, this is a jazz piano trio album featuring Yamanaka’s creative arrangements and impressive piano solos. With Archer and Scott as bandmates, the lineup on this album is a new one, as previous releases featured bassists Larry Grenadier and Robert Hurst, and drummers Jeff Ballard and Jeff “Tain” Watts, among others. ...

August 24, 2025 · Brian McCrory

Ryosuke Hashizume Group: As We Breathe

As We Breathe is the 2008 release from the Ryosuke Hashizume Group, a sax-led ensemble of sax, guitar, drums, bass, and piano. This jazz-quintet combination of instruments and players forms the perfect medium for bringing Hashizume’s penned compositions to life. I’ve introduced this group’s other releases at earlier points, although in an out-of-order sequence, so this article completes the set of the group’s six releases to date. As We Breathe, with nine tracks and about 70 minutes, is the second album out of the six released by the group. Despite the earliness of this and their previous album (their debut Wordless), their concept was already well-defined based on Hashizume’s compositions and musical direction, and the musicians show a cohesive personality with intuitively-linked playing and precise timing. ...

August 17, 2025 · Brian McCrory

Michiyo Matsushita Trio: Free

Free is the third album from the Michiyo Matsushita Trio. With the members active in their individual recording and playing schedules in Japan and internationally, they have continued to play together regularly as the Michiyo Matsushita Trio. Still, it had been 13 years since their previous 2011 release Prayer for Peace (and half that since Matsushita’s 2018 solo album Sally Gardens), so fans of the trio were pleasantly surprised to hear of this new offering coming out last year. As with the previous trio albums, old friends and long-running members Show Kudo on bass and Ryo Saito on drums join pianist Michiyo “Michiyon” Matsushita. ...

August 10, 2025 · Brian McCrory

Yuji Ito & Koichi Hirata Duo: Two for the Road

Two for the Road is a 2024 album from bassist Yuji Ito and guitarist Koichi Hirata, working as a duo here on their first collaboration. Both musicians are young, still in their 20s and 30s, yet their style, vocabulary, and tone speak of a maturity born of attentive listening, devotion, and playing experience. They fill the nine-track album with 58 minutes of beloved tunes from the standard jazz playbook and the ballad/swing/bop canon, mostly from the core 1950s and 60s jazz eras: ...

August 3, 2025 · Brian McCrory

NHORHM: New Heritage of Real Heavy Metal

NHORHM is New Heritage of Real Heavy Metal. It’s not only a homage to the original NWOBHM abbreviation, but also an incredible initialism of the three musicians: N ishiyama H itomi (piano), O rihaya R yoji (bass), and H ashimoto M anabu (drums), with names in the last-name-first Japanese convention. (I include a brief diversion on “What is NWOBHM?” later, below…) This debut album from NHORHM was released in 2015 and rereleased/remastered in 2024 when the first run was sold out, and both new listeners and fans who originally missed out were clamoring for copies. The album contains ten tracks, nine cover songs and one original by pianist Nishiyama. All arrangements are by Nishiyama, and this is not something to take lightly; the whole project hinges on the idea of a jazz piano trio covering heavy metal tunes, and the success of the endeavor relies a lot on bridging the gap between those distinct sounds, styles, and instrumentation, and on making the music appealing, listenable, and great, despite the obvious novelty aspect that may precede the experience. Yet, never fear, Nishiyama took the challenge seriously and put a lot of work into this project. ...

July 25, 2025 · Brian McCrory

Koto ha, To: Shiro o Matoeba

“Koto ha, To” is a three-member musical project made up of vocalist Ayako Tsuchiya, pianist Kozue Tsukayama, and bassist Yuki Ito. Their album is titled Shiro o Matoeba and was released in 2017. To begin, a quick overview of the Japanese words in the band name and album title gives a nice first impression of the phrases, poetically vague as they may be. A translation of their band name (ことは、と in Japanese) would be something like “The Thing Is, …” or “About That, …”, and the album title (白をまとえば) something like When/If I Wear White. ...

July 12, 2025 · Brian McCrory

Taeko Kurita: Ko-tsu-ko-tsu

Taeko Kurita’s Ko-tsu-ko-tsu is a solo piano album from 2012 featuring eight of her original songs. In addition to being a member of other groups such as jazz trios, many of her earlier releases as a leader are showcases for her solo piano compositions and improvisation. In fact, one of her most recent albums is simply called SOLO 5, mentioned in the previous article on her piano-drums album DUO. Like that album, Ko-tsu-ko-tsu is another great pick from her past catalog. ...

July 5, 2025 · Brian McCrory

Taeko Kurita & Akira Sotoyama: Duo

Pianist Taeko Kurita and drummer Akira Sotoyama present us with Duo, a 2024 live album recorded in 2023 at “Shicho Shitsu” (Listening Room), an experimental music venue in Tokyo’s Jimbocho district. In true improvisational form, the duo met with minimal prearrangements in order to let the mood, music, room, and audience guide their performance. The concert becomes a selection of ten of pianist Kurita’s compositions, framed by the piano and decorated by the drums. ...

June 28, 2025 · Brian McCrory

Melodies: Melodies

The band Melodies released their self-titled debut album in January 2025, under the leadership of guitarist and composer Motohiko Ichino. Ichino’s music is rooted in his otherworldly compositions and full-bodied guitar tone, a structure that Melodies expands upon with two entwining saxophones and adventurously roaming drums. This four-member group consists of Ichino on guitar and baritone guitar, Kenta Tsugami on alto saxophone, Minyen Hsieh on tenor saxophone, and Akira Sotoyama on drums. As this quartet has no bass player, they form a subtly floating, bass-less group sound. Yet Ichino’s guitar work fills up the space nicely, especially when he subs in baritone guitar. All of the songs on Melodies were written by Ichino, and the album was recorded at a live performance at Velvet Sun in Tokyo on June 24, 2024. ...

June 22, 2025 · Brian McCrory

Mayuko Katakura: The Duality of My Soul

I’m always excited to get my hands and ears on a new release from pianist Mayuko Katakura. Her latest trio disc, recorded with bassist Takumi Awaya and drummer Noritaka Tanaka, is titled The Duality of My Soul and was released earlier this year. It hits the spot as a sharply modern jazz piano trio album. The album’s eight tracks consist of seven Katakura originals and one cover song to close the set, an instrumental version of singer Abbey Lincoln’s “Being Me.” Karakura’s music is pure trio propulsion, muscular, raw, and risk-taking. Other emotions and impressions generated while listening to this music include the words heavy yet facile, determined and pointed. Whatever the subjective descriptions imply, it’s completely enjoyable, straight-ahead J Jazz coolness. ...

June 15, 2025 · Brian McCrory

Kunpei Nakabayashi Orchestra: Circles

Circles is a 2021 album from the Kunpei Nakabayashi Orchestra, a ten-member big band led by the group’s namesake leader and bassist. The CD has eight songs and runs for about forty-seven minutes, while the streaming version of the album includes six of the songs. This is Nakabayashi’s third release and the first with his orchestra. It’s an exciting big band sound where the instrumental arrangements are a natural forefront highlight of Nakabayashi’s music written for alto sax, tenor sax, clarinet, flute (x2), baritone saxophone, trumpet (x2), trombone (x2), piano, bass, and drums. All of the players are well-known, hard-working musicians working in and outside Japan in various forms. Special mention is made for trumpeter Takuya Kuroda, the most famous name in this group who is known for major label releases, international jazz festival activity, and collaborations with international musicians in jazz, fusion, and other genres. ...

June 6, 2025 · Brian McCrory

Yosuke Sato & George Nakajima: Longing

Longing is the title of a 2023 jazz duo album from saxophonist Yosuke Sato and pianist George Nakajima. This is an eight-song, forty-five-minute album of familiar jazz standards and two Japanese pop songs. Of the eight songs, the first six are played by the elegant hand-in-glove duo of saxophone and piano. To wrap up the album, the duo becomes a trio as vocalist Ema joins in for the last two songs, singing beautifully in English and Japanese. The album’s title Longing may lean into some unnamed persistent desire portrayed in their playing, the long ago brought to life through their selection of timeless songs. ...

May 30, 2025 · Brian McCrory

Setagaya Trio: Progress

Pianist Yusei Takahashi, bassist Keigo Iwami, and drummer Sota Kira are the three co-leaders of Setagaya Trio, a contemporary jazz group whose band name was inspired by meeting in the hip Shimokitazawa neighborhood of Tokyo’s Setagaya ward. This trio’s second album Progress was released in 2024 and follows their 2017 album Introducing Setagaya Trio, a debut released two years after their formation in 2015. Setagaya Trio’s concept is based on having all three players extend freely, rather than having one leader decide the group’s direction and style. This results in music that is freewheeling and fun with a risk-taking energy that is powered by their youthful, fresh attitude. The trio’s arrangements feel loose in a way, as if anything could happen, and they look forward to those unexpected surprises as challenges to meet head-on. At the same time, the tightness of their playing and arrangements is apparent, solid and effective. It’s an impressive bond arising from the extreme attention paid by each member to one another, no doubt paid off by their efforts and dedication to studied listening and practicing their art. ...

May 16, 2025 · Brian McCrory

Kanoko Kitajima: Long Way to Go

Long Way to Go is the title of pianist Kanoko Kitajima’s debut album, recorded and released in 2019. The sound of her piano trio recalls the swinging, bluesy trios of pianists like Wynton Kelly, Red Garland, and others from the 1950s and 60s Blue Note era. Added to that rich background is a dedicated Japanese interpretation of classic American jazz with an exciting New York City vibe as shown in the album cover. ...

May 10, 2025 · Brian McCrory

Layla Tomomi Sakai: Stolen Moments

Singer Layla Tomomi Sakai’s Stolen Moments is a 27-minute album from 2019, a follow-up to her two previous releases from 2016 and 2018 with a consistently pleasing and familiar core sound. That sound of Sakai, introduced on her debut album Whisper Not, is based on her intimate vocal/guitar/trumpet trio with Yuichiro Hiraoka on guitar and Ryuichi Takase on trumpet. Her second album The Island expanded the trio with more accompanying players, a pattern which continues here on Stolen Moments as her guest musicians create forms from duos to sextets on the different songs. ...

May 3, 2025 · Brian McCrory

Shinya Fukumori Trio: For 2 Akis

For 2 Akis is a 2018 release from the trio of Japanese drummer Shinya Fukumori, French saxophonist Matthieu Bordenave, and German pianist Walter Lang. This album from the Munich-based trio is the realization of Fukumori’s long-held desire to record for the German ECM label. The recording itself was made at a studio in the South of France, a location that evokes scenes of peaceful warmth and slow serenity. In addition to the music, it is perhaps this picturesque presence that was also captured in Fukumori’s concept and the trio’s playing on For 2 Akis. ...

April 26, 2025 · Brian McCrory

Kaito Nakamura: Invisible Diary

Invisible Diary, released in March 2025, is the latest release from drummer Kaito Nakamura. On this sixty-three minute, nine-track album, Nakamura plays with his regular quartet of Riko Sasaki on saxophone, Otohito Fuse on piano, and Riku Takahashi on bass, and adds guitarist Ippei Kato on six songs. The trio of pianist Fuse, bassist Takahashi, and drummer Nakamura also played on Fuse’s album debut Isolated from last year. This album is a follow-up to Nakamura’s first album Blaque Dawn from 2022. In contrast to his debut record, Invisible Diary is entirely self-produced by Nakamura and released on his own label, a move that allowed him the freedom to imagine and direct the project entirely as he saw fit. Although Nakamura does not give away too many details, the songs on this release are meant to tell one conceptual story, and the listener is invited to form their own interpretations. The songs are all original compositions by drummer Nakamura. ...

April 19, 2025 · Brian McCrory

Akane Matsumoto & Ayumi Koketsu: Trust

Trust is a 2024 release from the duo of pianist Akane Matsumoto and saxophonist Ayumi Koketsu. These two musicians are leaders of their own combos, members of other groups, and also friends and working bandmates for many years running. The pair have gathered a lot of performance experience from live shows and tours taken together and have developed a deep connection between their musical instincts. Surprisingly, Trust is the first album they’ve recorded together. This serendipitously timed release also commemorates twelve years of their working together, a number that is meaningful in Japan for its significance in cyclic durations and milestones, symbolizing the closing of loops and the start of new stages. Perhaps it can be said that trust grows over time, and it’s wise not to rush it. ...

April 12, 2025 · Brian McCrory

Fe: Live at Virtuoso

The 2021 album Live at Virtuoso by the quartet Fe was released by the jazz club Virtuoso in the nightlife district of Akasaka in Tokyo, Japan. Virtuoso is a great name for a music venue. Aside from the word being a term for master musicians, fans of jazz guitar will immediately recognize the reference to jazz guitarist Joe Pass’s landmark series of Virtuoso albums. Naturally, Virtuoso features jazz guitar and guitar bands on many nights. The jazz club also occasionally releases albums such as this one on its in-house recording label. ...

April 5, 2025 · Brian McCrory

Hitomi Nishiyama Trio: I’m Missing You

Rewinding from the previous article on Hitomi Nishiyama’s Echo from 2024, and connecting the dots (re: Dot, 2023), relistening to Hitomi Nishiyama Trio’s I’m Missing You from 2004 provides a fascinating reflection. I’m Missing You is the prolific composer’s first album, which quickly sold out as she was gaining recognition for her distinctive jazz piano compositional style, a novel approach that melded her Japanese classical musical training, studies in jazz piano, and her affection for European modern jazz. The original 2004 album contained eight songs, all composed by Nishiyama, and was re-released in 2007 with three bonus tracks from around the same period. It came to be regarded as her breakthrough first trio recording, released 20 years before her latest CD Echo, and with more than two dozen albums released in between. ...

March 30, 2025 · Brian McCrory

Hitomi Nishiyama: Echo

Echo, from 2024, is pianist/composer Hitomi Nishiyama’s latest album and a response to her previous release Dot from 2023. The music on this album was made with the same group and during the same recording sessions and as such, there are many similarities in sound and direction. In aura and conceptually, however, the differences are effectively portrayed by the separate covers and designs: Where Dot shows a monochrome sketch-like grid of hand-drawn dots, Echo places the pianists’ subtly Mona Lisa smile into a vividly abstract gauze of lilac and cobalt swirls and hues. ...

March 23, 2025 · Brian McCrory

Hikari Ichihara Group: Unity

Unity is the sixth album from trumpeter Hikari Ichihara and the second album from the Hikari Ichihara Group band name, following their excellent debut release Move On from 2010. Unity, released in 2011, features nine original songs and a playtime of fifty-six minutes. The music on this album is straight-ahead jazz built on the familiar format of trumpet-sax-piano-bass-drums hard-bop quintets. The playing style has a modern jazz feel with a mix of swing beats and straight-eights that is rooted in an energetic, soulful style, the kind that fans of Jazz Messengers and similar classic Blue Note era albums will find immediately appealing. ...

March 16, 2025 · Brian McCrory