Albums

The Goat on a Peak is a 2023 album from Ghost Peak, a band formed in 2022 by guitarist Shinji Miyazaki with Natsuki Tamura on trumpet, Taeko Kurita on piano, and Hiroaki Mizutani on bass. Guitarist and leader Miyazaki combines his background of modern jazz, improvisation, and a four-year stay in New York, with his jazz, rock, and avant-garde influences on his second Ghost Peak album. Ghost Peak’s The Goat on a Peak contains five of Miyazaki’s original compositions and was released on the heels of their first release Ghost Peak 1. The audio for these two albums was recorded at a live concert in Kobe in 2023. While the first release was an online-only streaming/digital download, this second album was released as a compact disc with a different set of songs. ...

Enyana is the first collaboration album from vocalist Emiko Voice and pianist Yuka Yanagihara. Their new group and album name, Enyana, merges the EMI of Emiko and YANA of Yanagihara. There is also a bit of wordplay on the Japanese phrase en ga aru /(縁がある) which can mean there’s a connection or linking of fates between people or things in a certain situation. One variation of the phrase is “/enyana!/” (縁やな! /or えにゃな!), a playful Kansai-dialect version with a meaning like “It must be fate!” ...

Encounter is the first album from co-leaders pianist Hideaki Hori and saxophonist Wataru Hamasaki, released in 2008. Since then, in addition to their other bands and activities, the two jazz musicians have continued to perform together and release many albums under the group name Encounter. This first Encounter album is bursting with energy, and it feels like the inspiration that each player gets from the others irresistibly drives them to reach for the stars. The four members of Encounter—Wataru Hamasaki on sax and flute, Hideaki Hori on piano, Hiroshi Takase on bass, and Junji Hirose on drums—are always busy touring and playing in this regular group lineup for their live shows. In addition, as a special guest on their first album, Satoshi Takino plays electric guitar on three tracks. ...

It was a surprise when Ami Fukui released even more new songs and arrangements with her trio on her release MCY (2023) so soon after her previous trio album Nova Manhã (2022). It does fit well, though, when considering the two albums as a set, as if they were a double album released in two parts. In fact, the songs for both albums were recorded during the same two-day recording session in November 2011. It was an opportune time, as the trio had plenty of live experience together, along with a nice batch of Fukui’s original songs to work with. ...

Beyond the Sea is saxophonist Miyuki Moriya’s fourth album as a leader, which she released in 2024 with her regular quartet of Mamoru Ishida (piano), Junichi Sato (bass), and Sohnosuke Imaizumi (drums). This album contains nine tracks over sixty-eight minutes and features mostly originals from the saxophonist, with two specially selected cover songs from Japanese jazz musicians that influenced her most in her jazz life. One of those personal heroes is saxophonist Kosuke Mine, who joins the group as a special guest and adds his engagingly vibrant tenor sax sound on five of the nine tracks. Those include two of the album’s peaks for excitement (the edge-of-your-seat #2 “Flip a Coin” and the funkily thrillseeking #5 “Maverick”) as well as Mine’s introspective ballad #7 “After the Checkout” where the two saxes converse over melancholy piano chords to set a dramatic scene. ...

Magnolia is a trio made up of vibraphone, piano, and percussion, and their debut album, El viento y las flores was released in 2022. This fifty-six-minute album contains ten tracks of all original compositions, four from vibraphonist Reiko Yamamoto and three each from pianist Yuka Yanagihara and percussionist Hitomi Aikawa. Despite having three independent composers, their tight interplay and musical personalities seem tightly bound together, as if their collective music just blooms out intuitively unified. ...

Bassist Motoi Kanamori released his third album The Live in 2023. This is a double CD album with a title that aptly reflects the energy of his group captured in a live concert recording. The two discs are divided between one set from his trio (with pianist Hiroyuki Takubo and drummer Akira Yamada) playing rearranged versions of classic jazz standards, and a second set from his trio with strings, featuring a four-piece string section of two violins, one viola, and one cello. ...

Renowned jazz bassist Daiki Yasukagawa is actively engaged in a variety of fascinating projects within the Japanese jazz scene. One of those, the Daiki Yasukagawa New Trio, released their first recording with this 2022 album, The Three Roses. The trio’s music and production are in good hands, being led by the veteran bassist and lecturer who consistently appears in live performances and recordings. Yasukagawa has also been running his own music label, D-musica, for many years, uniquely spotlighting select musicians from the Japanese jazz music scene, including some of his albums as well. ...

Owari to Hajimari (The End and the Beginning) is a new album from the duo of vocalist Nobie and guitarist Takayoshi Baba. Released in 2023, this disc features forty minutes of music written and adopted from the duo’s repertoire and experience playing jazz, pop, and Brazilian music together. The two have released their own leader albums and recordings with other groups, but this is the first album to be released under their co-named band partnership and builds on their vast experience playing together in various settings. ...

Boundary is the 2018 release from the trio of pianist Megumi Yonezawa, bassist Masa Kamaguchi, and drummer Ken Kobayashi. This album is the result of a suddenly booked recording session in Brooklyn while bassist Kamaguchi was temporarily in town and playing with the New York-resident pianist and drummer. Their live performance inspired a producer to arrange a trio recording while the opportunity was available. Open and experimental, the music on the album is 66 minutes of improvisation. The songs are a loosely-structured dialogue between the three members as they play freely using prompts and suggestions to one another, responding in the moment to what they are hearing from others and imagining within themselves. ...

Oh, Lady Be Good is a piano trio album from Tokyo-based jazz pianist Akane Matsumoto. She’s been releasing trio recordings since 2008, along with albums playing with quartets and quintets, although her recent albums have featured her in small ensembles rather than her regular combos. In fact, since this record (recorded and released in 2019), her latest releases have focused on solo and duo formations, such as her piano album Little Girl Blue (2022), her duo with trombone on For My Lady (2023, with Nanami Haruta), and her latest piano and saxophone duo release Trust (2024, with Ayumi Koketsu). All of which is to say that this album, Oh, Lady Be Good, is her most recent jazz piano trio release. ...

Drummer Hiro Kimura’s debut album from 2022 is Trees, a 61-minute modern jazz album recorded with two of his regular rhythm sections. The album was recorded over two days in the studio, the first with Naoko Tanaka on piano and Yuji Ito on bass, and the second with Mamoru Ishida on piano and Keisuke Furuki on bass. Joining Kimura’s rhythm sections are the front-line members consisting of three horn players who alternate and unite on different tracks. Alto and soprano saxes are played by Akiha Nishiyama and Kohei Ando, and trumpet by Mao Sone, who also switches to piano and Fender Rhodes for two songs. ...

Piano Pieces Collection II is pianist Seiji Endo’s follow-up to his 2021 release Piano Pieces Collection. Continuing in the same mood and mode, Endo plays solo piano music of his own hand, compositions that are infused with his motivation to move and support listeners through his music. Although the two recordings are separated by a few years, it wouldn’t be too far off to consider this sequel the second half of a double-album record. ...

Piano Pieces Collection is a 2021 album from pianist and composer Seiji Endo. For this album, Endo plays 19 solo piano pieces, a similar concept to some previous albums such as his Genji Monogatari Volume 1 (2018), which evoked the drama of that classic early Japanese literature through depth and shading. On Piano Pieces Collection, Endo’s message is simpler and direct, uplifting and motivational. At first glance, another comparison could be made to the great Chick Corea’s Children’s Songs album. Each album has 19 to 20 tracks, all short solo piano pieces. Also, both albums showcase the respective pianist’s sketches of minimal, memorable, melodic music. Beauty through simplicity. Corea’s compositions might edge towards more complex and rhythmically stimulating music, and similarly, Endo’s pieces also carry his own personality. His compositions are delicate, graceful, and subtle. More miniature than minimal, Endo aims to create moods of gentle understanding and welcoming calmness. ...

Like pianist Yuka Yanagihara’s previous album Inner Views from 2019, her songs on this year’s release Beloved Ones are also focused on both external vistas and inner reflections. It is as if the inner-outer boundary is balanced, permeable, and transferring the trio’s music and inspiration from in to out and back again, fluidly. From the previous album to this one, the imagery shifts from close (raindrops on a window) to far, with natural scenery in theme for both. A second link to her previous album is found in a track on the Beloved Ones, “Rainy Song #3 In Winter”. This song continues the story started in the opening two tracks on Inner Views, “Rainy Song 1: At Midnight” and “Rainy Song 2: In the Forest”. Comparing the two album covers and the pieces’ progression, the rain has stopped and the eye’s focus has extended further into the world, onto meadows, trees, and mountains. ...

Rougequeue is a 2015 mini-album from pianist Fumie Chiba that features five of her original songs, three with jazz combos (septet, sextet, and trio), and two solo piano tracks. The uncommon word used for the album title is a French word for redstart, a small, colorful bird with a reddish-orange tail. Once the title is parsed and read as roozh-kew, it becomes easier to see and hear, but it maintains its aura of mystery and beauty. Even the word’s letters themselves seem to align, dip, and extend with a certain intentional pattern. The bird image and concepts are also easily applied to the five compositions contained under that title, music that is wonderfully vivid and that can take flight. ...

Saxophonist and composer Ryosuke Hashizume has released six albums with the Ryosuke Hashizume Group over nearly two decades. These albums feature Hashizume’s uniquely original compositions played by his long-running group. This group has mainly been a quintet (of sax, guitar, piano, bass, and drums) with many of the same members present throughout the years. In particular, guitarist Motohiko Ichino and fretless electric bassist Ryoji Orihara have been a constant and large part of the sound of the group. They are brilliant electric partners to Hashizume’s breathy and sawtoothed acoustic sax sound (Hashizume also dips into electricity a bit when playing his sax as cycles and drones looped through a device, occasionally). ...

For many people, classical music can be very relaxing, a soothing balm at certain times, or in uncertain times. Some jazz music is regarded in the same way, and there is even smooth jazz, after all. What about both classical and jazz, together? Classical jazz, or jazz classical? Jazz-classical crossovers, fusion, or merges? (Pianist Ethan Iverson recently shared an engaging article on the “Jazz Brain/Classical Brain” divide, which aligned serendipitously with what I had been thinking about this week.) ...

Virtual Silence (2022) is a 38-minute experience in five chapters, a project born of a moodily lit and ambient concept from bassist Ryoji Orihara and vocalist Chie Nishimura. On their first album, the pair are joined by guests May Inoue on guitar and Tamaya Honda on drums, an addition that marvelously decorates the simple but evocative themes with ethereal dimensions and deep textures. Throughout, Nishimura’s voice is used as a melodic instrument alongside guitar and bass, singing minimalistically on all five tracks with no lyrics or words. ...

Like Mamoru Ishida’s Afterglow introduced previously, Mabumi Yamaguchi’s Viento is a 2023 jazz release from the Japanese jazz label Days of Delight which is doing a wonderful job of delivering the sound of authentic modern-day Japanese jazz in impeccably produced and attractive packages. Viento is saxophonist Mabumi Yamaguchi’s second release on Days of Delight following his chord-less trio recording Trinity (2022), but he’s been playing and releasing albums for over five decades. In that time, he’s worked with stellar domestic and international musicians including drummers Motohiko Hino (“best jazz drummer in Japan” award winner throughout the 1970s) and George Otsuka for a landmark 1978 tour with Kenny Kirkland (piano), John Scofield (guitar), and Miroslav Vitous (bass). His recording Mabumi (1981) also featured Kirkland and Vitous with Tony Williams (drums) joining the lineup. ...

Afterglow is the latest recording from pianist Mamoru Ishida, released in 2023 and recorded in 2022 with his trio featuring Ryohei Komaki on bass and Kaito Nakamura on drums. The sixty-four minute, ten-track album is filled with his original compositions and is his first leader album in twelve years, although he’s stayed active with live shows and other recording sessions throughout. Days of Delight, the new Japanese record label, set the direction of having a trio format with Ishida’s originals and describes the situation glowingly in the liner notes. ...

Dot is the 2023 album by pianist/composer Hitomi Nishiyama. Until this week’s release of Echo, Dot was her latest album; Echo is Dot ’s twin, recorded with the same members and during the same sessions. Nishiyama has released many great albums since 2004, and yet it is tempting to call this significant Dot her masterpiece. As a prolific composer with consistent album releases over two decades, many peaks have been reached. Dot forges into some bold new territory, and successfully so. ...

Toys is pianist Sumire Kuribayashi’s debut leader album from 2014. Since then, the spirited musician has been on a tear, with several more leader albums released from her own projects as well as collaborations with a variety of Japanese and international musicians. With Toys, Kuribayashi plays nine tracks on the forty-eight-minute album, with five of her own songs and four beloved covers arranged together in a lively display of her musical vision. Whatever Toys may mean as a concept title (hinted at in the Obi Notes), it’s a playful album that works as a perfect medium for her musical worldview. ...

Clepsydra’s album Un Jour from 2011 is an eclectic collection of eleven original songs that the quartet often played at live events throughout their musical journey (roughly 2006-2015). Their unusual name may be difficult to read and pronounce initially but is easy to remember when parsed as the three syllables clep-sih-dra. The meaning of the word is an ancient water clock, a device for telling time based on the movement of water through its construction. A charming storybook-style image of a clepsydra appears on the album cover. ...

On Banquet, pianist and composer Sayaka Kishi’s latest album from 2024, her piano trio brightens things up with a banquet of delights. Kishi has long been a musician who loves to explore and mix genres with a sense of fun and dedication, and she is often found playing in Latin, Afro-Cuban, flamenco, fusion, and other groups. While the genres are many, Kishi consistently pulls from her knowledge of jazz standards, pop, classical, and other roots, bound together with swing and Latin beats and ad-libbed improvisation. ...

Nobie is a multi-talented artist whose musical and professional paths started at a young age. These included learning the violin and piano which led to voice, percussion, and pharmacy studies, and through many genres like jazz, soul, pop, and Brazilian music. Her storied journey includes forays in the bands of renowned Brazilian bass player Luizão Maia (partnered with Jobim, Milton Nascimento, Elis Regina, and others—coincidentally, Nobie’s even been described as “the Japanese Elis Regina”), Soil & Pimp Sessions pianist Josei’s Alma+ band, famous Brazilian guitarist Toninho Horta, influential Beninese guitarist Lionel Loueke, and the popular Japanese jazz/samba/fusion of Shinichi Kato’s B-Hot Creations. ...

In the style of classic apostrophe-bearing jazz album titles, pianist Yasumasa Kumagai and bassist Ryu Kawamura offer up Ol’ School Jazz, a collection of beloved jazz standards played with authenticity and a love for the era with their pared-down duo format. (Aside: Following this apostrophe trail, this album’s bluesy first track may be no accidental serendipity but an intentional pick. Starting with the album title Ol’ School Jazz, the first track “Driftin’”, and that song’s origin on Herbie Hancock’s Takin’ Off, that’s three apostrophes already. Did the friendly informality of this “jazz apostrophe” as used in the day carry a similar effect — particularly for the “jazz atmosphere” of certain albums, laid back but highly skilled, casual but serious — as emojis and internet abbreviations do today? A prototype for the simple, effective, and immediate impact of quick slang like LOL, OMG, WTF? BRB…) ...

Koichi Sato’s two-disc album Embryo is another remarkable showcase for the talented composer/arranger/pianist. Unfolding the gift-like box presents two CDs enclosed in an all-paper-and-cardboard-constructed package, a pleasing way to open the concept album. The placid cover art also carries a surprise, one that is illuminated when the lights are turned down for a listening session. The concept is made clearer in the titles of the two discs, Disc 1 “Water” and Disc 2 “Breath”. The two titles perhaps symbolize the transition from womb to world, and describe the sounds of each side. The first disc has Sato playing fourteen of his songs on solo piano, and the second finds Sato playing with small ensembles on twelve tracks, with some of his songs rearranged and repeated between the two discs. ...

Banda Feliz is a group of Tokyo musicians playing festive Brazilian music, originals and covers, centered around Makiyo Sakai’s robust and jazzy flute playing. Her lighter-than-air flute sound is buoyed by her full six-piece palette with trombone, guitar, piano, bass, and drums, and the group’s voices happily join the melodies at times for extra oomph. Happiness is integral to the band’s sound, even evident in the artist name and album title, roughly translated as cheerful, joyful, happy band and bon voyage. ...

Pianist and composer Eri Chichibu released her debut album Crossing Reality in 2022. On it, she includes eight of her fine-tuned compositions for combos ranging from duos and trios to five-, seven-, eight-, and nine-member ensembles. The sound of Chichibu’s music fascinates with creative arrangements of harmonized horn lines, suspenseful rhythms, and multi-part musical sections. As the liner notes indicate, her songs shine with personality inspired by concepts and ideas that move her. ...